Wedding Party Wears Latest Fashion 2018-2018
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Forward to the Past: Researching Vintage Fashion by Ellen Byerrum - Duration: 6:31.
Forward to the past, taking notes! Hello and welcome to Fashion Bites. I am Ellen
Byerrum, author of the screwball noir Crime of Fashion Mysteries, featuring Lacey
Smithsonian, a fashion reporter in Washington DC, The City That Fashion
Forgot. As many of you know, Lacey Smithsonian, my character, wears a lot of
vintage clothing, most of which came from a trunk she inherited from her
Great-aunt Mimi. She finds inspiration in this trunk and sometimes she even finds
mystery there, in addition to all the great clothes. One of my favorite
comments from a review was, "Say, how BIG is that trunk anyway?!" Because I'm a
mystery writer, that trunk can be bottomless and somewhat magical. Today, in
response to a request on how I research things, I'm talking about the various
ways of looking into vintage fashion. First, there's formal study. I always
loved clothes, but I became more and more aware of what goes into decking our
bodies when I took a course in the history of costume when I was in college.
That course opened my eyes to the variety of clothes there are and their
effect on society, from sumptuary laws that restrict certain types of fashions
or colors, to the extreme styles before the French Revolution, which influenced
not only architecture and furniture but helped to inspire the Revolution itself.
The aristocracy put so much flour in their hair to turn it white, there was
not enough flour for bread! Certainly a reason for revolt. Books are a fabulous
resource. I still have my books from that course, including this one: FASHION, FROM
ANCIENT EGYPT TO THE PRESENT DAY, and WHAT PEOPLE WORE, a visual history of
dress from ancient times to 20th century America. Since then I have picked up some
great books on fashion and on fashion designers, including Edith Head
and this one: Adrian, a classic designer. And then there is my favorite fashion
book of all time, THE WAY WE WORE, by actress Marsha Hunt. In it there are
clothes from the late 1930s, all ones she wore, as well as stills from her movies
and lots of clothing and hairstyles and hats from the '30s and '40s. In addition to
books, old movies are great for seeing what people wore, although keep in mind
they may have been far more fashionable and costly than your average person
would afford. But please check out movies like THE PHILADELPHIA STORY, HIS GIRL
FRIDAY and IT HAPPENED ONE NIGHT. You may have guessed I also read old magazines.
These magazines give you insights into the prices and care of clothing and
what's worn at these times, including Mademoiselle and Ladies Home Companion,
in this marvelous oversized format. In addition you can find out about clothes
in the context of their times, as well as current events and what's happening in
the world. This one, October 9th 1944, the war has been going on and on and on, and
you see lots of articles about the war, about soldiers, as well as some clothing
articles to perk it up. Because a lot of women sewed their own clothing, you can
tell about the clothes through vintage patterns. They can show you the type of
craftsmanship that went into a lot of old garments. And Simplicity patterns
notwithstanding, a lot of these designs are very challenging to sew, especially
for today's seamstress. Another research method is to interview people who were
there. Obviously this doesn't work if you're researching too far back, but
talking with the people who lived through the times you're writing about is
invaluable, as are their diaries. These may give you that one piece
of information that really sparks the imagination, and they can tell you how
the clothes fit and what the fabrics felt like. And finally, I always love to
look at the clothes themselves. I have bought some wonderful vintage items,
including this jacket on the mannequin. All of these clothes tell stories. I have
found some lovely fabrics that I don't see in clothing stores, like heavy
crepe that doesn't wrinkle, wool crepe that always keeps its shape, and some
beautiful gabardines. There are clever seams and shaping you'll never find in
today's clothes, and in this jacket, which is a tiny navy check, the designer solved
the problem of gaping open on the chest with cleverly spaced buttons. This
taffeta jacket that I am wearing is simply fun, and I imagine that Lacey will
probably wear it in an upcoming book, or perhaps Mimi Smith, Lacey's great-aunt,
will wear it in a book I am currently writing which is set during World War
Two. There you have it, those are the main ways I research clothes for my
character Lacey Smithsonian. If you want to know more about me or my books, check
out my website at Ellen Byerrum dot com. I am also on Facebook, LinkedIn and Twitter. If
you liked this video please hit the LIKE button and consider subscribing to this
channel. That way you won't miss any. And feel free to share! This isn't a secret
society. I will see you next time. Bye!
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VESTIDOS MODA 2019 👗 | HERMOSOS VESTIDOS de moda | FASHION DRESSES - Duration: 4:16.
For more infomation >> VESTIDOS MODA 2019 👗 | HERMOSOS VESTIDOS de moda | FASHION DRESSES - Duration: 4:16. -------------------------------------------
New Fashion Kutchi Embroidered Designer Blouses For Navratri Choli Designs For Ghagra & Chaniya - Duration: 1:01.
Latest Fashion Designer Blouses For Navratri Festival.
Traditional design wonderful collection of Navratri Special Blouses for Indian Women.
These new fashion designer embroidered cholis or ethnic Indian blouses can be worn with
rich look sarees during the Navratri 2018 and 2019 festival.
Regional Kutchi style embroidery work is done on these choli blouses
which makes them perfect to wear during the Navratri festive season.
These are readymade blouses to highlight the look of your sarees as well as Chaniya and ghaghra.
You can shop these lovely blouses for Navratri from Winsant online Shopping Stores.
We offer Quick Delivery, easy returns and Cash on Delivery payment option.
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Must-Have Knits for Men | Autumn/Winter Fashion - Duration: 5:17.
For more infomation >> Must-Have Knits for Men | Autumn/Winter Fashion - Duration: 5:17. -------------------------------------------
JoeyStarr a giflé une fille à la fashion week (photo) - Duration: 1:21.
For more infomation >> JoeyStarr a giflé une fille à la fashion week (photo) - Duration: 1:21. -------------------------------------------
HSN | Fashion & Accessories Clearance 10.04.2018 - 03 AM - Duration: 1:00:00.
For more infomation >> HSN | Fashion & Accessories Clearance 10.04.2018 - 03 AM - Duration: 1:00:00. -------------------------------------------
Fall Fashion - Duration: 3:58.
For more infomation >> Fall Fashion - Duration: 3:58. -------------------------------------------
HSN | Fall Fashion Edit 10.04.2018 - 08 AM - Duration: 1:00:01.
For more infomation >> HSN | Fall Fashion Edit 10.04.2018 - 08 AM - Duration: 1:00:01. -------------------------------------------
Fashion Designer Esther Sands - Duration: 3:24.
MUSIC
>> WE'RE JUST GONNA MAKE A SKIRT.
WHY NOT?
MUSIC
I WAS BORN IN GHANA, WEST
AFRICA.
I CAME HERE WHEN I WAS 16.
WENT TO SCHOOL IN WESTERVILLE,
WENT TO OSU.
GRADUATED FROM OSU.
I STARTED IN ENGINEERING.
SO ENGINEERING, AND THEN I
SWITCHED TO ART.
MY DAY JOB IS QUALITY ASSURANCE
FOR A PHARMACEUTICAL COMPANY.
I WILL CALL MY AESTHETIC MORE OF
LIKE AN "AFRO-FUSION."
I LOVE DIFFERENT CULTURES.
I COMBINE MY CULTURE WITH
DIFFERENT CULTURES, MOSTLY ADD
IN THE PRINTS AND THE FABRICS
AND THE BRIGHTNESS OF MY CULTURE
WITH LIKE, LET'S SAY A KIMONO.
I LOVE ASIAN CULTURE.
IT'S A LITTLE CLOSE TO MY
CULTURE IN TERMS OF FOOD AND
TRADITIONS, AND SO I WANTED TO
TAKE THE TRADITIONAL CLOTHES,
LIKE A -- LIKE A KIMONO AND TRY
AND MAKE THEM WITH ALL AFRICAN
FABRIC.
THE BRAND NAME IS AMAMMRE.
"AMAMMRE" IN MY LANGUAGE WHICH
IS THE AKAN -- LANGUAGE, MEANS
CULTURE OR TRADITIONS.
THE MEN'S WEAR SPECIFICALLY,
SINCE I'M SO NEW TO IT, I DO
DRAW MY INSPIRATION FROM ASIAN
MEN'S FASHION ëCAUSE IT'S SLEEK,
IT'S NICE, IT'S SOPHISTICATED.
THE BRAND TELLS A STORY.
IT'S A WAY FOR THE CLIENT, THE
CUSTOMER TO TELL THEIR OWN STORY
OF BEING BOLD AND CONFIDENT.
MY HUSBAND'S NAME IS
JOSHUA SANDS.
HE IS AWESOME.
HE KIND OF PUSHES ME TO TAKE
MORE RISK.
AND HE'S A MECHANICAL ENGINEER.
HE'S A DESIGN ENGINEER, AND HE
SEWS AS WELL AND COSPLAYS AS
WELL.
AND HE'S CURRENTLY GOT INTO
CHAINMAIL.
>> FOR THIS ONE, YOU JUST
BASICALLY HAVE TO MAKE SURE THAT
ONE RING IS GOING THROUGH SIX
RINGS.
>> WE DO COSPLAY.
WE GO TO OHIO CON AND THE OHIO
RENAISSANCE FESTIVALS, SO WE
KIND OF DABBLE IN SOME FUN STUFF
TOO.
I LIKE THE PROCESS, HOWEVER,
WHEN IT'S FINISHED AND YOU
ACTUALLY SEE THE DESIGN IN YOUR
HEAD COME TO LIFE, IT'S REALLY
FULFILLING.
THAT'S THE PART THAT I LOVE.
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Remodela Fashion Lab Coworking Space - Duration: 1:31.
Hello, my name is Dana Vidal and I'm the founder of Remodela Fashion Lab
We have two years delivering services of sustainable fashion in Peru,
and it's with that experience that we want to develop a co-working space for fashion design.
The problem that our co-working space will address is the lack of spaces
for manufacturing and showcase fashion products in a small scale. The
customers of our co-working space would be first
Professional fashion designers with independent brands who need an affordable place to prototype their collection and showcase it for sale.
Each year just in Lima
We have 2,000 new professionals in fashion design and 60% of them
want to start their own brand. Our second kind of customer are going to be fashion design students.
Because fashion schools in Lima only are able to host 3% of their students after class hours. Myself
I've experienced that kind of scarcity when I was a student in a fashion school in Peru
Our third type of customers will be fashion design and sewing aficionados because they don't have
Currently any space to share their interests. Remodela Fashion Lab co-working space will be the first of its kind in Peru.
We will offer
Flexible memberships showrooms, DIY classes with of course upcycling techniques and space rent for private events.
In industry that is considered only of single stars, we will bring collaboration as a key design element.
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