♪ Uptown baby, uptown baby, we get down baby
Yeah, that does sound familiar, doesn't it?
Well, I first met them when I put an ad in The Village Voice.
I had a band and we were looking for a bass player and a piano player.
Keyboard and bass player needed for working you know jazz and rock combo.
Something like that... Must-have jazz chops.
No hangups
So we answered the ad and we liked some
of the material. It was kind of early fusion type material before there was
jazz fusion in a way.
So they joined my band at first.
We started playing their songs right away and I immediately saw that these were great songs.
If truth be told, we kind of took over his band. We never came up with a
band of our own that we felt was the right combination of guys that it was
stable. It was just me and Walter. You hear somebody in a record and I said,
"Wow, this guy's a great soloist, let's have him come in,
what would he be good on? What would suit his style that's fun?"
You'll play and you'll try to get into it and they'll say, "Yeah, that's really good," and
then the next day somebody else is doing it, a whole other band.
We ended up working with bands that had New York and LA musicians because there were elements
we were finding in the LA session players that were great. You know the
kind of precision and the savviness about recording processes and so on.
At the same time, a lot of the New York musicians had a musical style or a
sort of a hard-hitting attitude or they took chances during their performances.

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