Cool RC Action!
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How to build a hunting arrow: Fletching - Duration: 7:20.Hey everybody this is PJ Reilly from Lancaster Archery. Today what we're gonna
do is fletch our arrows that we've got for hunting. Our Black Eagle Rampage 300.
We're just gonna fletch them up and show you how that process works and put some
wraps on them. What you want to keep in mind with fletching, kind of the industry
standard today, is a two-inch high profile vein this is what you're gonna
see on most arrows. Nine times out of ten that's gonna be that's gonna work for
whitetail bow hunters in the woods treestands shooting twenty yards or so.
If you want to make sure that you have the most accurate setup you're gonna
want to experiment there are fletchings of all different shapes and sizes and
different lengths. This one here is 2.25 inches. It's a lower profile and look. In
here we've got a three-inch parabolic. This one here is about two and a half
inches and it's called a heat vane. It's of extra stiff material so there's all
different kinds of fletchings out there. And what you want to do is play with
them, try different combinations see what works best for your setup. Everybody's
going to be different. Something's gonna work you know for one guy may work
differently for another. What I like to use this is the Last Chance
Archery Vane Master Pro. This is kind of the Cadillac of fletching jigs.
But with this fletching jig I can do everything. So we I can do left or right
offset left or right helical. I can do either with this jig. I've got different
knobs that I can put in as you can see here. I can do a three vane fletch or I
can also switch out some components and I can do four fletch to try. And you know
just to experiment try different things not all fletching jigs give you that
versatility. The Vane Master Pro of course does. There are others that give
you that versatility as well, but my point is I want you to be able to
play with some different things so that you can find a good setup for your bow.
As I mentioned about helical and offset in our previous video, we determined that
my arrows spin counterclockwise so I want to set my fletching jig with a left
helical and left offset. I want my vanes to sit to the left so that my arrow, it
just encourages my arrow to keep spinning to the left. So what I've preset
here is I've got my fletching jig set up with a 4 degree left helical we're going
to begin our process with a wrap. We've got a Lancaster Archery Supply arrow wrap.
A lot of guys are using these today. What's the benefit of it? Well carbon if
you were to glue vanes directly on to the carbon and then let's say one comes
off, where you want to change vanes or something like that you peel it off you
start sanding it down. Eventually you can gouge into the carbon and over time.
That's gonna put undue wear on your arrows you don't want that. With a wrap
you can just peel the wrap off and the fletching comes with it and then your
shaft underneath is untouched. It's perfect. So we like to use wraps. Besides
that they're neat, you can customize your arrows so they look unique to you. You can
see here, we're going to use white that's going to make this arrow - it's going to
make it really stand out. You know it show us what kind of blood we've got when
you get a pass-through shot. And I'm gonna line it up just below the nock. This is a
perfect surface. This is like a carpeted surface so I can push down on to it. If
you do it on a hard surface it's not it doesn't work quite as well. So you can
get a pad or you can do it on the carpet at home and also I'm going to do is line
up and I'm kind of pressing down as I roll the vane on you can see there I get
a perfect wrap then I'm gonna bring over to my fletching jig.
I'm gonna set this in. I want to make sure I don't roll over the seam. Get
yourself a good fletching glue. Here this stuff sets really fast - this Maxi-cure.
And I'm just gonna put a thin bead. You don't want too much glue but
you need enough right down the center. I want to make sure I got a nice solid
line of glue set on here. As you like to just press and hold together for a 10
count and then this glue is so fast setting that I could just after a 10
count I can remove my jig spin the arrow move to the next one. Make sure I clean
off my arms there. Just to keep the vane from sticking to this fletching jig. I said
it's got different dials for 3 vane and 4 vane and whichever one
you want... when you rotate the arrow it's going to
click and it's going to perfectly space those vanes apart. So that you know
you're getting the correct adhesion for your vanes to the arrow. You can have
them in the right placement around the shaft. We've got lots of different
fletching jigs at Lancaster Archery Supply on our website LancasterArchery.com
you can go there and pick out whichever one you think will work for
you. And there you have it. You've got a perfectly spaced fletching job there. And
you can see we have a left offset that's 4 degrees left.
I also put a helical. Incidentally helical means that it's curving the vein
around the shaft rather than just simply placing it straight on the shaft at an
offset. That's what the offset is doing. It just turns it to one side sets
it on helical kind of curves it around just gives it a little more spin in the
arrow shaft. Be sure to subscribe to our YouTube page so you can see videos like
this and lots of other things pertaining to archery. And as always if you have any
questions you can visit us at LancasterArchery.com
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Using Visuals and Technology to Build an Artist's Career | Full Sail University - Duration: 5:03.(upbeat music)
I would love to find out a little bit about
the visual side of your business.
I know that you have worked on all kinds of soundtracks
and music that's been used in a plethora of films
and obviously the visual is one of the most impactful
mediums that we have today to not only help brand
the artist but also in many ways captivate an audience.
I'd love to learn a little bit from your perspective
how you've used the visual to enhance an artist's career
or maybe build awareness for a particular movement or song.
I think we are actually now coming to the point
where we are going to engage the visual medium.
You know, so far we have been working on developing
the music and getting the music right
and because eventually, people are going to listen
to the music and that's where the fan base is made.
The visual medium is the most powerful medium
of communication, so as somewhere.
I read in an audio book that the sound is
the step-child of film, or something like that.
Like, this is an audio book.
But, that's what it is.
So, to understand human behavior is very important.
So, we're just at the point where
so sync is different, songs are placed always
is different, but when you've got a great content
around your artist now, that itself is another
is another agenda.
So, it's definitely it's got to be likable.
It's got to synchronize with the vision
for what the artist and how do they want to be portrayed.
There's a lot of experimentation that need to be done.
One of our young artists, she's starting at Howard,
you know, she's 19 year old Indian girl
and so we said how are we going to come out
with the first visual and we have a friend in New York
and he said why don't we do like a 3-D video?
You know, and we had a limited budget, but tons
of creativity and he offered to go out of the way
to develop this concept which is gonna be just shot
in one room.
So, that's about ready now and it's, it'll be a novelty
when it comes out.
It'll have its own little charm.
It'll help us get launched.
So, we're experimenting.
I think one of the, one of the senses that we have
learned to develop is common sense, so everything
is just so sophisticated these days, we actually forget
that there's something called common sense.
Yeah, I like that.
So Ross, when you were talkin' about your company
one of the facets or tenants that you mentioned
was technology, so I would love to learn a little
bit about how you've used technology to propel
an artist, to propel maybe a song or a movement
that you've been involved in.
Great question.
Technology has been a integral part
into the production process for recording
and sound design and producing music
and I believe that every artist, composer,
writer, producer, should strive for their own sound,
their own signature and in our case with Archipelago,
it's taking sounds from our planet, recording them
with something as simple as an iPhone or you know,
a fancy high quality recorder and using technology
that we all have on our Macs or our Windows machines
and transform those sounds into music.
Taking the sound of running water,
granulizing that and then putting it into melodine
and create chords out of it.
Banging a bridge, maybe the Golden Gate one day,
for a kick drum, something like that.
Immersing yourself into this beautiful amazing planet
that we live on and using this as our studio,
our planet as our studio,
kind of bailing traditional recording, you know,
studios and techniques.
With that said and that philosophy not only just for myself,
but for the artists that we have developed and worked with,
in all different areas of the country in different markets
and even the well seasoned artists that are still
developing and nurturing their sound and developing
and augmenting to their path and their career,
being able to provide something a little bit different
has been invaluable and the technology is there
and we have just so many tools at our fingertips,
but it's also up here.
You know, it's all up here and how you can take a sound
and rework it and so, technology, that would be my gut
response is just technology has allowed my team
and myself and peers all around the music industry
to, if you can think it, you can make it nowadays.
So, it's been great to implement that with the music.
Nice.
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Build A Boat For Treasure #3 Im the last survivor! - Duration: 5:19.Lets play Build A Boat For Treasure for the 3rd time!
Off we go...
There is a lot of just basic levels
Lol
Marble is strong :3
Jeez, there is a lot of rocks here .-.
The the red leather design on the boat?
I built it
"IRON I THINK YOU SHOULD COME UP HERE NOW"
Im so stupid...
See, I told you I was stupid
That flip though, lol
You alright there, MoMo?
Lightning? How was I supposed to know there was lightning?
OH CRAP, I HATE THIS AREA
OUR SEATS! D;
Sorry iron, Im stealing your seat
Even though hes all the way dead...
I didn't put another backup seat in for MoMo
Im such a bad pers- I MEAN RACCOON
MoMo? Is she alive?
No shes not ;c
Firstly, I told iron that he should come up the second story, but I didn't check if there were any holes
Then, I didnt put a backup seat for MoMo, so she fell out the boat...
Im going to Raccoon hell ;c
OH GOD IM DEAD, I NEVER PASS THIS AREA
My seat!!!! ;c
Ded x_x
But, I got +50 gold :D
Guess this is where the boat story ends...
Like, and Subscribe please :D
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