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Hey everybody this is PJ Reilly from Lancaster Archery. Today what we're gonna

do is fletch our arrows that we've got for hunting. Our Black Eagle Rampage 300.

We're just gonna fletch them up and show you how that process works and put some

wraps on them. What you want to keep in mind with fletching, kind of the industry

standard today, is a two-inch high profile vein this is what you're gonna

see on most arrows. Nine times out of ten that's gonna be that's gonna work for

whitetail bow hunters in the woods treestands shooting twenty yards or so.

If you want to make sure that you have the most accurate setup you're gonna

want to experiment there are fletchings of all different shapes and sizes and

different lengths. This one here is 2.25 inches. It's a lower profile and look. In

here we've got a three-inch parabolic. This one here is about two and a half

inches and it's called a heat vane. It's of extra stiff material so there's all

different kinds of fletchings out there. And what you want to do is play with

them, try different combinations see what works best for your setup. Everybody's

going to be different. Something's gonna work you know for one guy may work

differently for another. What I like to use this is the Last Chance

Archery Vane Master Pro. This is kind of the Cadillac of fletching jigs.

But with this fletching jig I can do everything. So we I can do left or right

offset left or right helical. I can do either with this jig. I've got different

knobs that I can put in as you can see here. I can do a three vane fletch or I

can also switch out some components and I can do four fletch to try. And you know

just to experiment try different things not all fletching jigs give you that

versatility. The Vane Master Pro of course does. There are others that give

you that versatility as well, but my point is I want you to be able to

play with some different things so that you can find a good setup for your bow.

As I mentioned about helical and offset in our previous video, we determined that

my arrows spin counterclockwise so I want to set my fletching jig with a left

helical and left offset. I want my vanes to sit to the left so that my arrow, it

just encourages my arrow to keep spinning to the left. So what I've preset

here is I've got my fletching jig set up with a 4 degree left helical we're going

to begin our process with a wrap. We've got a Lancaster Archery Supply arrow wrap.

A lot of guys are using these today. What's the benefit of it? Well carbon if

you were to glue vanes directly on to the carbon and then let's say one comes

off, where you want to change vanes or something like that you peel it off you

start sanding it down. Eventually you can gouge into the carbon and over time.

That's gonna put undue wear on your arrows you don't want that. With a wrap

you can just peel the wrap off and the fletching comes with it and then your

shaft underneath is untouched. It's perfect. So we like to use wraps. Besides

that they're neat, you can customize your arrows so they look unique to you. You can

see here, we're going to use white that's going to make this arrow - it's going to

make it really stand out. You know it show us what kind of blood we've got when

you get a pass-through shot. And I'm gonna line it up just below the nock. This is a

perfect surface. This is like a carpeted surface so I can push down on to it. If

you do it on a hard surface it's not it doesn't work quite as well. So you can

get a pad or you can do it on the carpet at home and also I'm going to do is line

up and I'm kind of pressing down as I roll the vane on you can see there I get

a perfect wrap then I'm gonna bring over to my fletching jig.

I'm gonna set this in. I want to make sure I don't roll over the seam. Get

yourself a good fletching glue. Here this stuff sets really fast - this Maxi-cure.

And I'm just gonna put a thin bead. You don't want too much glue but

you need enough right down the center. I want to make sure I got a nice solid

line of glue set on here. As you like to just press and hold together for a 10

count and then this glue is so fast setting that I could just after a 10

count I can remove my jig spin the arrow move to the next one. Make sure I clean

off my arms there. Just to keep the vane from sticking to this fletching jig. I said

it's got different dials for 3 vane and 4 vane and whichever one

you want... when you rotate the arrow it's going to

click and it's going to perfectly space those vanes apart. So that you know

you're getting the correct adhesion for your vanes to the arrow. You can have

them in the right placement around the shaft. We've got lots of different

fletching jigs at Lancaster Archery Supply on our website LancasterArchery.com

you can go there and pick out whichever one you think will work for

you. And there you have it. You've got a perfectly spaced fletching job there. And

you can see we have a left offset that's 4 degrees left.

I also put a helical. Incidentally helical means that it's curving the vein

around the shaft rather than just simply placing it straight on the shaft at an

offset. That's what the offset is doing. It just turns it to one side sets

it on helical kind of curves it around just gives it a little more spin in the

arrow shaft. Be sure to subscribe to our YouTube page so you can see videos like

this and lots of other things pertaining to archery. And as always if you have any

questions you can visit us at LancasterArchery.com

For more infomation >> How to build a hunting arrow: Fletching - Duration: 7:20.

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Inmates build a better future at Geiger Corrections Center - Duration: 2:27.

For more infomation >> Inmates build a better future at Geiger Corrections Center - Duration: 2:27.

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Using Visuals and Technology to Build an Artist's Career | Full Sail University - Duration: 5:03.

(upbeat music)

I would love to find out a little bit about

the visual side of your business.

I know that you have worked on all kinds of soundtracks

and music that's been used in a plethora of films

and obviously the visual is one of the most impactful

mediums that we have today to not only help brand

the artist but also in many ways captivate an audience.

I'd love to learn a little bit from your perspective

how you've used the visual to enhance an artist's career

or maybe build awareness for a particular movement or song.

I think we are actually now coming to the point

where we are going to engage the visual medium.

You know, so far we have been working on developing

the music and getting the music right

and because eventually, people are going to listen

to the music and that's where the fan base is made.

The visual medium is the most powerful medium

of communication, so as somewhere.

I read in an audio book that the sound is

the step-child of film, or something like that.

Like, this is an audio book.

But, that's what it is.

So, to understand human behavior is very important.

So, we're just at the point where

so sync is different, songs are placed always

is different, but when you've got a great content

around your artist now, that itself is another

is another agenda.

So, it's definitely it's got to be likable.

It's got to synchronize with the vision

for what the artist and how do they want to be portrayed.

There's a lot of experimentation that need to be done.

One of our young artists, she's starting at Howard,

you know, she's 19 year old Indian girl

and so we said how are we going to come out

with the first visual and we have a friend in New York

and he said why don't we do like a 3-D video?

You know, and we had a limited budget, but tons

of creativity and he offered to go out of the way

to develop this concept which is gonna be just shot

in one room.

So, that's about ready now and it's, it'll be a novelty

when it comes out.

It'll have its own little charm.

It'll help us get launched.

So, we're experimenting.

I think one of the, one of the senses that we have

learned to develop is common sense, so everything

is just so sophisticated these days, we actually forget

that there's something called common sense.

Yeah, I like that.

So Ross, when you were talkin' about your company

one of the facets or tenants that you mentioned

was technology, so I would love to learn a little

bit about how you've used technology to propel

an artist, to propel maybe a song or a movement

that you've been involved in.

Great question.

Technology has been a integral part

into the production process for recording

and sound design and producing music

and I believe that every artist, composer,

writer, producer, should strive for their own sound,

their own signature and in our case with Archipelago,

it's taking sounds from our planet, recording them

with something as simple as an iPhone or you know,

a fancy high quality recorder and using technology

that we all have on our Macs or our Windows machines

and transform those sounds into music.

Taking the sound of running water,

granulizing that and then putting it into melodine

and create chords out of it.

Banging a bridge, maybe the Golden Gate one day,

for a kick drum, something like that.

Immersing yourself into this beautiful amazing planet

that we live on and using this as our studio,

our planet as our studio,

kind of bailing traditional recording, you know,

studios and techniques.

With that said and that philosophy not only just for myself,

but for the artists that we have developed and worked with,

in all different areas of the country in different markets

and even the well seasoned artists that are still

developing and nurturing their sound and developing

and augmenting to their path and their career,

being able to provide something a little bit different

has been invaluable and the technology is there

and we have just so many tools at our fingertips,

but it's also up here.

You know, it's all up here and how you can take a sound

and rework it and so, technology, that would be my gut

response is just technology has allowed my team

and myself and peers all around the music industry

to, if you can think it, you can make it nowadays.

So, it's been great to implement that with the music.

Nice.

For more infomation >> Using Visuals and Technology to Build an Artist's Career | Full Sail University - Duration: 5:03.

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Build A Boat For Treasure #3 Im the last survivor! - Duration: 5:19.

Lets play Build A Boat For Treasure for the 3rd time!

Off we go...

There is a lot of just basic levels

Lol

Marble is strong :3

Jeez, there is a lot of rocks here .-.

The the red leather design on the boat?

I built it

"IRON I THINK YOU SHOULD COME UP HERE NOW"

Im so stupid...

See, I told you I was stupid

That flip though, lol

You alright there, MoMo?

Lightning? How was I supposed to know there was lightning?

OH CRAP, I HATE THIS AREA

OUR SEATS! D;

Sorry iron, Im stealing your seat

Even though hes all the way dead...

I didn't put another backup seat in for MoMo

Im such a bad pers- I MEAN RACCOON

MoMo? Is she alive?

No shes not ;c

Firstly, I told iron that he should come up the second story, but I didn't check if there were any holes

Then, I didnt put a backup seat for MoMo, so she fell out the boat...

Im going to Raccoon hell ;c

OH GOD IM DEAD, I NEVER PASS THIS AREA

My seat!!!! ;c

Ded x_x

But, I got +50 gold :D

Guess this is where the boat story ends...

Like, and Subscribe please :D