The dark patches of Kpop 2017
The dark patches of Kpop 2017.
In spite of its tremendous success and influence throughout the world, Kpop 2017 still has issues to consider.
The loneliness and enormous pressure of the artist.
On the afternoon of December 18th, the news of Jonghyuns (Janghyun) forever leaving shocked the Korean entertainment industry and tens of millions of K-pop fans around the world.
The public is in pain when a bright star is gone forever, but the more it hurts to know the cause of Jonghyuns death is due to evil depression.
Prior to his death, he left a suicide note with the confession that he was submerged by depression and loneliness.
The departure of Jonghyun once again exposed the enormous pressure that Kpop artists are facing.
Not only Jonghyun but many other idols are also struggling to cope with invisible burdens.
It is the loneliness of the limelight, the uncertainty of the future, the anxiety that does not meet public expectations and the criticism of netizens.
Taeyeon (SNSD) once said that she felt empty when she came downstairs, alone in the hotel room after the concert, even before performing in front of thousands of people.
G-Dragon (Big Bang) also revealed when he felt lonely especially after the concert.
And Sunggyu (INFINITE) shared that every artist is worried about his future, and he too: Every time I finish a concert, I worry about one day, We will not be cheering and loving as much as we do now.
It may be time for the Korean music industry to look back at the enormous pressures of the artist, and the agency should also be more concerned about its idols.
To the public, do not criticize without reason, because what the most wanted idols from the audience are simply encouraging words, encouraging them to overcome difficulties.
Sensitive or offensive?.
Short skirts showing body curves, dance moves, eye candy, shame on viewers, bold MVs or even provocative lyrics in the song.
are no longer The story is so strange in Kpop in recent years.
However, the provocation in the kimchi scene seems to have reached alarming levels in 2017.
Many music videos as well as stage performances are judged to have exceeded the cultural limits.
The tradition of an Asian country like Korea.
In mid-March, the Triple H group became the focus of controversy because of its extremely hot 365 Fresh debut.
In the music video, HyunA appeared with more exaggerated pictures of Trouble Maker and continued to act intimately with Hui and EDawn.
Shortly thereafter, the song was banned by many radio stations for containing bold sexual implications and other sensitive issues that could have a negative impact on younger audiences.
Then, on a music show of MBC in October, HyunA made many viewers at the studio as well as viewers are watching TV shocked by the momentum.
Her overly hot dance was judged to make adults too embarrassed.
Unstoppable, in December, 4Minutes ex-member once again rebel in the new MV Lip & Hip.
In particular, the scene of HyunAs underwear underscores that viewers do not understand it is hiding some message of the MV or just to shock the audience.
In addition to HyunA, many other names also have provocative performances and make viewers hot as EXID, Chungha.
Although not tweeting on the music stage as Triple H and HyunA These idols are also listed as part of the public list.
As such, Kpop this year reigns in the status of the singers screaming open, showing the skin to stand out.
There is no denying that boasting in the MVs and having shocking performances at the music scene makes the idols hotter.
However, what they have to get back is the stigma of a netizen, which is the constant criticism of the public, the critics of the parents and the risk of banning the door from the radio.
Many idols follow a sexy style that is considered cheap and does not receive respect.
When negative digital music is exposed.
In late August of this year, a TV program of JBTC broadcast the distribution of the profits of the songs on many major music sites in Korea.
The program reveals that each song will earn 7 won (140 VNĐ) per stream.
Of those, 40% (2.8 won ~ 59 USD) belonged to the music website, 44% (308 won ~ 65 VNĐ) towards the company, 10% (0.7 won ~ 14 VNĐ) For author / producer / lyricist.
In the end, only 6% (0.42 won ~ 8 VND) is about the artists bag.
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