Hello guys, I hope you're all doing well and this is my first video
Yeah, I was trying to do my summer foundation routine
But it actually turned into a whole look so I mean not a whole look but, I think it's cute
Do you think it's cute?
Anyway if you guys like it please like comment and subscribe and also share, please
It's free. So you might as well, you know
Keep on watching
So I'm starting with my primer and the Becca ever matte poreless primer
I'm using that to prime my face because I am I'm a very oily person
Especially in the middle of my face in the center of my face on my t-zone
I just put that on my forehead on my nose, and I also put that on my
Eyebrows because I get really oily on my eyebrows, but I don't know like that's really weird, but I do get oily on there
So I just use that and prime my face and then I'm gonna be using my spoolie brush. I like that brush
I don't know why even when I don't wear makeup I use that brush to brush my brows because
they like to do their things but I just use that and
And I brush my brows upward and now I'm going to be using my Anastasia Beverly Hills brow
Pomade and an angled brush and I'm gonna use that to just fill in my brows
Brows take a long time actually spent 10 minutes doing my brows. No joke
10 whole minutes
But yeah, so I just I was just filling in my brows making little strokes because I didn't want it to be too perfect
I want it to be a little bushy and also when I used my Anastasia
Beverly Hills brow pomade . My brows were looking a little gray. So I'm using my revlon one and trying to make it work
And now this actually my friend gave me this
Hand cream and it smells so good. So I was using that because my hands felt a little dry and it's also
amazing
zing
I actually can't sing but yeah, I think you already got that now I'm using my Nars
radiant creamy concealer in the color is hazelnut
I'm using that on my angle on my angled brush and I use that to carve out my brows because
I want I wanted them to be cleaner and
you know after you just fill them in you need to
Clean them up
That was kind of cool fill the in clean them up
Okay. Anyway, so now I'm using my
how is this called ? I'm using another brush and I'm kind of blending out the edges of the the areas where I
Carved out my brows. This is art, okay
Then yeah, I'm just doing the same thing
Just trying to make my end look a little better and I'm doing the same thing for my just carve out my other brow
Yeah, and blend it out. That's it
So next I'm using my fenty beauty
Pro filter I can't remember the name of the foundation. I don't know and I'm in the color
440 and I'm using a flat top brush
to blend out my
my foundation
And yeah, that's what I do. And now I'm using my same NARS radiant creamy concealer
in the color hazelnut and I highlight my I highlight my under eyes
Under my eyes. I highlight under my eyes my nose
my chin, and I also used my
aesthetica
Beauty sponge and I use that to blend out my concealer
Ha ha ha
I'm such a weirdo you guys
I'm pretty sure you guys already found out. But yeah now I'm using my Laura Mercier translucent
setting powder and I am dipping my beauty sponge into it and
Just dabbing it under my eyes because I don't like baking
It makes me look
ghostly for some reason so I just do this
Because it works better for me
And also now I'm gonna be using my Sasha
Buttercup powder because I wanted it to be a little more yellow it was looking to red for me and
I'm gonna just do the same thing
Just dab it onto my eyes and the area where I highlighted now, I'm using my Mac prep and prime
Setting spray and I'm gonna set my face because it was feeling like a Sahara Desert that I didn't like that
and next I'm gonna be using my Beauty sponge and try to blend it in into my hairline because I
Was looking I was feeling like there was a demarcation line and you don't really want that
So just blend it into your hairline it actually helps
I was actually listening to music while filming this so you're gonna be seeing me dancing a lot
Now I just used my black radiance
contour palette in the color dark and
Next I'm using my covergirl
Queen collection in the color ebony the bronzer and I'm using that to
contour my nose
I'll say bronze because I that wasn't contour
I don't like to contour my nose because I don't know how to do it and
Next I'm using a black opal powder and my Real Techniques brush
And I knew that to buff buff that onto my face to try to make everything a little
seamless I
Love that Real Techniques brush. It's just so soft
Next I'm using my NYX
double-dare blush
and I use that to
Apply it. I use another Real Techniques brush I needed to you
You know emphasize that and I you know, put that on my cheek cheek cheek. I was so excited because I just love that brush
the Real Techniques brush actually
Now I'm using my morphe 25-A palette and I'm using that brown
shadow, and I'm blending it on to my crease just
Blending casually blending like nothing else matters
blend blend blend blend and then next I'm going to be using another brown shade and
blend again blend blend blend
Yeah, I'm just blending that onto my creases that's it
Next I'm gonna be using a fluffier brush and I will try to bring the edges of my shadow
and I'm going to use my morphe 25 O palette and I'm gonna use that orange color on top and
Try to also bring a little warmth to my shadow and blend it out
Now I'm using my NYX
Vinyl
liquid liner in the color black and I'm just
doing my
Winged liner I love wing liner. I don't know why I just love them
So I usually put them on because I just think they look cute not cute. They look snatched
Yeah, it makes me look a little exotic. I
Like that word now, but yeah, I'm just drawing on my winged liner and yeah
I'm using umm the highlight in my
Contour palette and my black radiant contour palette
I Actually like this highlight because it's not too much. It's actually
Just enough. I don't like too much highlighter so I just put that on and
Blend it in
So now I'm using my lash box lashes I loved his lashes they look so pretty
And I also used my duo
lip glue no lash glue and actually you just put it on the
lash band and just apply the lash I waited until the lash got tacky and then applied it and then now I'm just using my
My mascara, it's the Maybelline colossal
mascara and I apply it onto my lower lash and
Upper lash to blend my fake lash with the true
with the real one and
Next I'm using my Johana, I think that's the name if that's not the name. I'll put the right name
Eyeliner and I just line my waterline and my upper waterline
Next I'm using the NYX
slip tease
lipstick and I just dab it onto my lips because I didn't want it to be too much so I just dab it on
and I use my
Revlon Super Lustrous
Lip gloss and I in the color coral and I applied it on my lipstick and just blend it in then
Yeah, that's it. Thank you for watching
Kisses Bubba Bye
Subscribe right now
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For more infomation >> My Summer Foundation Routine | Dark Skin - Duration: 10:21.-------------------------------------------
The Dark Alchemist Behind Grindelwald's Skull in Fantastic Beasts 2: The Crimes of Grindelwald - Duration: 16:10.
Hello Fantastic Beast Fans!
The theory I have for you today is a bit gruesome, so I'm not quite sure what it says about
me that I'm excited to bring it to you.
But here we go!
I'm Susan Şipal with Fantastic Secrets Behind Fantastic Beasts to bring you the clues.
Join me and other Fantastic Beasts fans here on the BeastChaser Forum as we uncover the
secrets, discover what's coming first, and play along with Rowling's newest game.
And make sure you hit the subscribe button as well as the bell notification so you'll
be notified when videos post and won't miss out on the next clues!
I want to read to you a passage from Isis Unveiled, a book on esoteric philosophy written
in the 19th century by Helena Blavatsky, who's considered the inspiration for the name Cassandra
Vablatsky, Professor Trelawney's Seer ancestor.
The story's a bit gory, so, if you're squeamish, you might want to click off now.
It retells a passage from Jean Bodin, a French philosopher and demonologist, who's writing
was influenced by the conflicts of both the Inquisition and Protestant Reformation.
He's recounting an event concerning Catherine de'Medici, who was Queen of France in the
mid-sixteenth century, and her son, King Charles, who became king after the passing of his father
and elder brother.
Blavatsky first gives an intro: "Catherine, the pious Christian--who has so well deserved
in the eyes of the Church of Christ for the atrocious and never-to-be-forgotten massacre
of St. Bartholomew--the Queen Catherine, kept in her service an apostate Jacobin priest.
Well versed in the "black art," so fully patronized by the Medici family, he had won the gratitude
and protection of his pious mistress, by his unparalleled skill in killing people at a
distance, by torturing with various incantations their wax simulacra.
The process has been described over and over again, and we scarcely need repeat it."
Then she tells the story: "Charles was lying sick of an incurable disease.
The queen-mother, had everything to lose in case of his death, resorted to necromancy,
consulted the oracle of the "bleeding head."
This infernal operation required the decapitation of a child who must be possessed of great
beauty and purity.
He had been prepared in secret for his first communion, by the chaplain of the palace,
who was apprised of the plot, and at midnight of the appointed day, in the chamber of the
sick man, and in presence only of Catherine and a few of her confederates, the "devil's
mass" was celebrated.
Let us give the rest of the story as we find it in one of Levi's works: "At this mass,
celebrated before the image of the demon, having under his feet a reversed cross, the
sorcerer consecrated two wafers, one black and one white.
The white was given to the child, whom they brought clothed as for baptism, and who was
murdered upon the very steps of the altar, immediately after his communion.
His head, separated from the trunk by a single blow, was placed, all palpitating, upon the
great black wafer which covered the bottom of the paten, then placed upon a table where
some mysterious lamps were burning.
The exorcism then began, and the demon was charged to pronounce an oracle, and reply
by the mouth of this head to a secret question that the king dared not speak aloud, and that
had been confided to no one.
Then a feeble voice, a strange voice, which had nothing of human character about it, made
itself audible in this poor little martyr's head."
So, basically, we've got a child sacrificed to save the life of an ailing king, done as
part of a Black Mass.
This mass, said before the image of Satan, was believed to summon the devil to answer
a question, predict the future, or do one's bidding, much like we analyzed in the video
of the MACUSA Pentagram scene as symbolic for summoning and controlling demons.
The child's severed head was placed on a paten, which is the plate that holds the consecrated
wafer, or bread, in communion, thought to symbolize Christ's body.
Now, for a bit of background as to why this sacrifice was necessary: King Charles was
believed by his mother to be going mad because of the immense guilt he was feeling for ordering
the murder of thousands of Huguenots in the Saint Bartholomew's massacre…something
his mother is believed to have pushed him to do and he blamed her for.
And the words that the demon spoke through the dead boy's mouth?
"Vim patior."
I suffer violence.
In Catholic mass, the table where the paten and chalice are kept prior to serving from
the altar is called the credence table.
And the long-term storage away from the altar is called the credence cupboard.
Maybe like this?
Could Credence be the child of the sacrifice?
After all, he was virtually killed off last film.
Maybe, but I'm wondering if Credence's role in this scenario is something different.
Instead, Credence is the answer to the question asked of the skull.
He's the Vim Patior…I suffer violence.
In analyzing this skull image in my initial reaction to the Comic-Con trailer, posted
that same day, I thought the bottles and bowls and scissors surrounding the skull might point
to a medical need of Grindelwald's.
And I thought the pipe hooked up to the skull might indicate that he was smoking something
from it, like in a hookah, which I still believe.
But now, I'm wondering if those bowls and bottle might indicate the end of a ritual.
Perhaps one that helps Grindelwald see his visions, as suggested by Gerone Baladhay and
Suvi Holm.
Although Blavatsky called the ritual the Oracle of the Bleeding Head, it falls in line with
a type of necromancy known throughout history among many cultures.
After a skull was defleshed through age, or cleansed of organic matter, it was sometimes
filled with various herbs or other magical ingredients and decorated to represent the
person who died.
These oracular skulls were used to summon the spirit of the deceased who used to call
that skull home.
The request could be quite peaceful, such as predictions of future events.
The oracular skull would then speak with the deceased's voice and offer wisdom from the
spiritual realm.
In my earlier video, I speculated that Grindelwald might be planting a tampered memory to persuade
his supporters of his cause.
But what if he's been using the skull to assist with his visions, could the skull perhaps
speak before the crowd in the voice of a famed witch or wizard replaying the vision Grindelwald
has seen?
Perhaps as part of a ritual.
I've said since the first trailer that this setting speaks to me of an ancient ritual,
especially with Grindelwald firmly centered on that dais.
And if the ritual involves a speaking skull, could it be calling forth other spirits in
the room?
The cast have all talked about how much darker this movie is than the first.
Even if Rowling would not venture so far as a child sacrifice, there's a lot she could
do in dark magic with an oracular skull to convey Grindelwald's vision to his followers.
And with the Muggle Holocaust looming, this series is going to get very dark.
I can well see why Rowling would bring into her story, even if only in subtext, hints
of the violence following the Inquisition and the Protestant Reformation, especially
focused on the massacre of the Huguenots.
The fear, hatred, and mass killings of the Saint Bartholomew Day Massacre is explained
by Bruce Lincoln, a History of Religions professor at the University of Chicago, as the result
of "radical otherness" in perception of customs and beliefs that separated the Catholics
from the Huguenots.
We've mentioned a couple of times how Rowling has addressed this series as focused on how
we make beasts of Others.
But, going back to Blavatsky's introduction to the story: who was this supposed priest
who performed the ceremony?
Cosimo Ruggieri, an Italian living in Paris, like Catherine, was an alchemist and astrologer
who basically served as Catherine's spiritual advisor and sometimes hitman.
He also had a reputation as a Seer.
And he combined his skills as a Seer with magic.
Above all, Catherine, as Queen Mother, desired to protect her dynasty.
In the middle of the night, in a dark room of the Chateau Chaumont, Ruggieri had Catherine
gaze into an enchanted mirror to view the fates of her four sons.
According to legend, the mirror correctly predicted three of her sons would be kings,
but of short reign and no heirs.
Which all came to pass, perhaps not as she desired.
Ruggieri also predicted the manner of the Queen Mother's death.
As Blavatsky mentioned in the introduction to the Oracle of the Bleeding Head, Ruggieri
was also greatly feared for his ability to kill from afar by torturing via a wax figurine.
At the time, this was called the death spell, and was a popular tool for causing harm to
one's enemies.
A wax figure was shaped like the intended target, and the person holding it would stab
the wax figure with pins or knives.
The human victim would then suffer pain or trauma in those regions.
In fact, Ruggieri was convicted of using one such wax image against the king himself and
sentenced to death, but due to his connections with Catherine, was eventually freed.
I even read of one instance where a skull, decorated to represent the living target,
was used and stabbed with a knife.
But wait…there's more.
Remember at the beginning of FB1 how we saw Grindelwald in front of what was identified
as a château.
Ruggieri stayed frequently with Catherine in her Château de Chaumont.
Could this the same château Grindelwald stayed in?
Was he perhaps seeking something that remained of Ruggieri, writings perhaps, or a relic?
In a room that bears Ruggieri's name, above the fireplace, is this symbol, attributed
to him.
The three circles, known as the Borromean Rings, could symbolize a lot of things, from
the Christian Trinity to Mind, Body, and Spirit to Heaven, Earth, and Underworld.
Whatever they represent, the rings always show strength in unity.
Together, the circles are unbreakable, but if you remove one, the other two fall apart.
By interlocking them with the triangle, used in alchemy in various forms to represent air,
earth, fire, and water, I think Ruggieri was exploring his vision of alchemy.
The interconnection between physical life and the spiritual realm and the strength in
uniting them through the mystic arts.
Perhaps Ruggieri's symbol is even an early version of the Philosopher's Stone.
And perhaps Grindelwald considers Ruggieri and his symbol an inspiration for his own:
the union of all Magicals for the Greater Good.
As mentioned in my prior theory, Ross Nicholson proposed that the writing on the skull was
German "For the Greater Good."
However, in the comments, Thea Pfeiffer presents an alternative.
Could the German phrase be "The Great Work" instead, referring to the Magnum Opus, the
creation of the Philosopher's Stone?
Either one could work for this particular skull, if it does indeed belong to Ruggieri
or a character based on him.
As he's an alchemist, Ruggieri sought to create the Great Work.
But if the stories of his dark magic are to be believed, he could have justified it as
for "The Greater Good."
If any of these links to Ruggieri are valid, in those short scenes of Grindelwald's followers
moving caskets and lurking about cemeteries…are they looking for Ruggieri?
Who's grave, if it exists, is unknown.
I want to consider too the role Ruggieri might play to Flamel.
While historically speaking, Flamel lived a couple of centuries before Ruggieri, in
Rowling's world, Flamel would have still been alive and in the same city, Paris.
Perhaps Flamel was even Ruggieri's mentor, until he went dark.
Could Ruggieri be the dark magic alchemist to Flamel's good?
If that is his skull, we won't see him onscreen, but could hear about his legend, much like
with Salazar Slytherin.
It would make sense for this story to feature a dark alchemist instead of a dark school
founder.
Alas, Ruggieri met a terrible end.
Because he refused to take the communion of last rite from Capuchine monks, and his reputation
had caught up with him, he was considered a sorcerer.
He was not granted a Christian burial, and his body was dragged through the streets.
Because of growing resentment regarding certain of Ruggieri's connections, his death ushered
in a wave of hostility against French Jews, and Parliament reenacted an old edict to deport
them.
Ruggieri died in 1615.
While it's really hard to read that date on the skull, and I've seen other interpretations
of 1895, my first thought when I enlarged this image, before ever hearing of Ruggieri,
was that it was 1615 or 1613.
However, although I've referred to Ruggieri as a possible character throughout, I doubt
we'd ever hear his name onscreen.
Rowling will most likely, as usual, give her inspirations her own twist.
I believe we'd only find Ruggieri in subtext.
As I've covered a lot of ground, here's a short summary.
I believe it's very possible that Rowling has created an historical wizard character
based on Ruggieri.
Like Slytherin to Voldemort, this person may be an inspiration to Grindelwald, but probably
not an ancestor.
In this short scene we see of Grindelwald (probably) with the skull, he may be drawing
on the power of this ancient Seer for his own visions.
Whether that ritual goes so far as a human sacrifice will depend on how dark Rowling
wants to go.
But we'll see something enacted in a joint ritual in the amphitheater, something that
unites Grindelwald and his followers in a shared vision.
Also, one thing I'd like to note before we end.
I hope you've noticed that I try very carefully to credit people who originate any theories
I present that are not my own.
However, in fandom, when we're following the same thread of clues, we often come to
the same conclusion.
That happens.
And sometimes, because of my poor memory, I might forget to credit someone.
If you believe that to be the case, please let me know.
But, in return, I hope if you're spreading one of my theories around on social media,
which I hope you do, that you'll credit me in return.
Thank you.
So, what do you think?
Is Fantastic Beasts to have its own version of Salazar Slytherin?
If so, the material I'm tossing out on Ruggieri is just the tip.
Let's explore this thread together.
Please share your thoughts in the comments.
And please check out my new Fan Shop on Amazon for books and Funko Pops and wands and all
things Fantastic Beasts!
Until next time!
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Colgate And Vaseline To Get Rid Of Dark Spots On Skin - Zinta - Duration: 1:31.
Colgate And Vaseline To Get Rid Of Dark Spots On Skin
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Natural Home Remedy On How to Get Rid of Dark Circles And Bags Under Your Eyes - Duration: 3:00.
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Dark Hair Ombre Ideas 2018 - Duration: 2:30.
Ombre styles are so versatile, which explains why they have been trending for so long.
Whether it is a naturally sun-kissed look you're seeking or a bold rainbow fade, there's
a style for everyone.
The best part is that ombre styles are super low-maintenance and you don't even have
to dye your entire head.
It is one of the easiest looks to achieve, especially if you are a dark-haired woman.
In this article, we've put together a list of the best gorgeous dark ombre hairstyles
that are sure to get you inspired.
But first, let's look at how simple achieving the ombre look is.
Don't Forget to Hit The Like Button and Don't Forget to Subscribe so You won't miss the
next great video from us!
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