Auto news on Youtube Oct 6 2017

Hi guys, it's Susan and welcome to my channel. If you're new here please don't

forget to subscribe and give this video a thumbs up. As you can see in the title

I did some shopping recently. I bought some k-beauty and K-fashion and K

stands for a Korean obviously, and I would like to show you what I bough,t so

let's get started. We're gonna start off with the beauty items. I bought them on

two different websites but I will link the websites bellow. I bought three

different sheets masks, all from different brands. The first sheet mask that I got is

this this watermelon one from Skin Food and it says it is for ritch

moisturizing. It helps sensitive and dry skin comfortable and healthy. Then I also

got this aloe vera one from The Face Shop

so this one is for moisturizing and hydration. So the last one is also an

aloe vera mask and this is from Innisfree. Moving on to cleansing, I got

this rice water cleansing milk and this is from The Face Shop, also where I got

this one from so this one also. Rice water cleansing milk and this is

200 millimeters. I'm currently using one from Nivea so when that one's empty I'm

going to use this one and I'm really excited to try this one out.

the final beauty product that I got is this sleeping mask from A'PIEU and this

is with tea tree. So you have to apply this in the evening

and then just go and sleep. I don't know it's a sleeping mask so I think you apply it

like an evening cream you know like you got the day cream even in cream so I

guess this is something like that. These were the beauty products that I

bought. I didn't buy that much because I'm student I'm running out of money but

I did buy some clothes so I'm going to show you and right away. So the reason I

went K-shopping in the first place is because I really really wanted to have

the Strawberry Milk t-shirt from Chuu. So it's this one and here it says

strawberry milk and in the back it has this really cute strawberry. They have a

whole collection with this and I kind of wanted to buy everything but like I said

I don't have that much money so I choose this shirt and in order to get like the

free shipping I had to buy some more so I bought another t-shirt. Not from Chuu but

another cute one. And it's this one with a unicorn on it and it has a blue

sleeve and a pink one. I think it is really cute.

It says 'No hay nada impossible' like 'no way nada impossible' however can you spot

the mistake? It's as impossible with just 1 S, so that kind of sucks but I think

it's pretty cute. So moving on to the final clothing piece it's not

K-fashion I dud not buy it in Korea, well neither did I buy those in Korea,

but it's not Korean. However I think is for showing I bought this sweater and

put in beer and it says Seoul I will see you again

and I really like this wrong because obviously I went to Seoul in 2015 I

studied there for four months and I'm hoping to go back anytime soon so when I

saw this sweater I just knew I had to have it mostly I see sweaters with Tokyo

New York California Paris and stuff like that but I've never seen Seoul so the so

super excited and I just got it it was only 10 euros so it's peachy

so yeah everything but these are all the Katie Beauty and Kate fashion items that

I bought recently maybe I'm gonna do some more shopping I don't know but

these are all the things for it it's Shabbat so if you like this video please

give it a thumbs up and don't forget to subscribe also leave a comment down

below which of the shop items is your favorite and I will see you in the next

video bye

For more infomation >> Korean Fashion and Beauty Haul • Chuu, Innisfree & more - Duration: 4:01.

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TOP Designer Kurta/Kurti Designs Fashion Kurta Kurti Indian and Pakistani in Flipkart and amazon - Duration: 0:34.

TOP Designer Kurta/Kurti Designs Fashion Kurta Kurti Indian and Pakistani in Flipkart and amazon shopping online dresses

For more infomation >> TOP Designer Kurta/Kurti Designs Fashion Kurta Kurti Indian and Pakistani in Flipkart and amazon - Duration: 0:34.

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Designing 3D Printed Dresses | FASHION AS DESIGN - Duration: 7:41.

Usually there's an instinct, an idea, and when the instinct resonates between the three

of us, then we feel like we need to make it to bring it to life.

And each time it comes to life, it depends who's guiding this instinct to come to life.

So whether its a pattern who's guiding it, whether it's one of us who's guiding it,

whether it's a textile, or a technology, that dictates how this idea is going to come

to life.

Lovely smell.

By being involved in all kinds of intricate geometry, it required us to go further and

further into means of expressing that geometry.

So that led us directly into 3D printing because that enabled us to express exact geometry.

I met Gabi, Adi, and Angie through a mutual friend, probably Rothenburg, who had been

doing some of the earlier work with him.

Some earlier textile work.

I had been kind of exploring pattering systems as it relates to architecture, and how you

kind of tile space.

I have always been interested in how you could do similar things in different design disciplines.

Fashion, I think in particular.

And when I kind of first met threeASFOUR and I was exposed to their work, I was struck

by how they are exploring a similar thing, mainly geometry and how you can kind of wrap

a form in it, or wrap a human body in it, in this case.

They had a relationship with Stratasys, the 3D printing company, to do a dress, kind of

sponsoring the fabrication of the dress.

So when we started, the project was to do a single piece, one dress form.

The most natural way for us to work is to pick a silhouette that we've done before

and build on that.

In many cases, it may change.

In this case, it's a very classic threeASFOUR cut.

We basically scanned a person in real life wearing the dress, and then we had the base

silhouette to work from.

We did play with the Z-axis off of that dress.

Because you're printing it, you're able to add thickness to the surface.

So in some parts, like especially the shoulders, it gets bigger in certain areas and we had

to kind of, back and forth design the overall silhouette.

In fashion, function in a geometric case, is really about the movement of the human

body, and how you are articulating that, and working with it.

And I think all of the pieces are definitely exploring that and interested in that.

How you can take a patterning system and apply it across the body, and make it change, and

transform based on the body, and on the ergonomics of the body, and how the person is moving.

These are the shoulders.

One, two.

That's the chest.

See?

These are the back pieces here, and here.

So they're center-back here.

This is the bottom-back, so that's your butt, here and here.

The moment you create a three-dimensional weave, you start thinking about movement in

3D— three directions.

So instead of a fabric that's stretching on the XY-plane, you have a fabric that is

stretching on the Z-plane.

So XYZ becomes much more agile, and much more, how do you say, true to your anatomy type

of movement.

So the fabric will be able to emulate anatomy, movement, much more directly.

How you use technology to reinterpret old ideas is an important thing.

There is a lot of different technologies and machines to work with.

So the exact dimensional constraints you have to work with in are different for every technology.

The specific material constraints, like how thin I can go until it breaks, are very different

for each technology.

So some of the dresses, like 'Oscillation' for example, was all printed as flat pieces.

And it was printed in a rubber-like material, so we can bend it into shape.

It's really a textile design process, because you're printing out the pattern pieces as

geometric swatches, in a way.

And you have to know that when you sew that all together, it takes on a three-dimensional

shape.

My role in the 3D-printing and division of threeASFOUR is the 'manos' and the machine

art part.

I'm the one, once those babies come out of the box, and we have to clean them with

a toothbrush, and then lay them out like a piece of puzzle.

Make sure everything is correct, and then try to come in and figure out how to attach

the babies onto something that is like a layer approximate to human skin, you know?

But hold it all together.

Which is usually like a mesh body, shell, underneath.

And in this case, I use fishing wire.

Hold them all into place, you know, because some pieces that are obviously— as you can

see here, are on the heavier side.

Really thick and blending into something intricate, and skinny, and soft.

The contradiction between both materials, which is actually the same material, it's

just through the variation of thickness, it's like David and Goliath fighting with each

other actually, when they are put next to each other, you know?

The whole process is a lot of back and forth between analog and digital processes.

So whether we're playing with paper dolls, scanning that into the computer.

Or scanning a paper dress on a person, that goes into the computer.

We digitally test it, print some swatches, maybe print a whole piece, but along the way,

you are always communicating between different mediums.

You know we're not the first ones to be doing 3D printing.

But we felt that we wanted to approach it the same way that we've been approaching

fabric manipulation— textiles.

So we wanted to see 3D printing as a tool to evolve textile making into many steps ahead.

To be honest, I think in general, mankind is not really ready for anything that experimental

yet.

It's way too out there for the general public.

But you always need, you know, the pioneers to take it there so it becomes the norm.

You have to be honest and say that the technology is very far from a point where we'll readily

be producing consumer-friendly 3D printed clothes.

The need for textiles is like one of the most basic human needs.

And I mean, we're always going to need them.

It's like how does the tool allow us to interpret what those are, what a textile is.

Like one of the most ancient human things out there.

For more infomation >> Designing 3D Printed Dresses | FASHION AS DESIGN - Duration: 7:41.

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ZUHAIR MURAD BACKSTAGE ACCESS - PARIS FASHION WEEK / FALL WINTER 2017 - Duration: 1:31.

For more infomation >> ZUHAIR MURAD BACKSTAGE ACCESS - PARIS FASHION WEEK / FALL WINTER 2017 - Duration: 1:31.

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(News)Kate Moss poses completely nude in new fashion book - Duration: 1:51.

Kate Moss poses completely nude in new fashion book

Photographers Mert Alas and Marcus Piggott are releasing just 1300 copies of their limited edition book, which shows both unseen and rarely seen pictures they've taken for magazines including Playboy and LOVE.

Celebrities including Lara Stone, Gisele Bündchen and Kim Kardashian all make an appearance — but it's Moss' pages which are attracting the most attention.

The images have been taken from her 60th anniversary Playboy shoot, showing Moss completely naked wearing only bunny ears. Picture: Mert Alas and Marcus Piggott/TaschenSource:Supplied.

In a separate picture from her Vogue Japan feature, the model is seen posing in a skimpy corset, fishnets and feathers.

It doesn't look very comfortable, but it's probably not meant to. Picture: Mert Alas and Marcus Piggott/TaschenSource:Supplied.

While most people would baulk at the idea of getting naked in public, Alas and Piggott were full of praise for Moss's bravery, describing her as "completely fearless in front of the camera".

Picture: Mert Alas and Marcus Piggott/TaschenSource:Supplied.

The book has been published by Taschen. Picture: Mert Alas and Marcus Piggott/TaschenSource:Supplied.