Hello guys. I am Peter from Build a Boeing
I think owe you a part two of my video about my curved screen
And so this is it. If we look to the lifts you can see the picture
stretches all the way to left and then over here to the right.
So this is actually 180 degrees curved screen.
If you have the room here as reference you can see that it is actually curved
I am still using sheets so that's why it's a bit uneven here a bit wobbly there
That's also why it's a bit unsharp and I need to do a bit of final calibration
But I've done rough calibration and satisfied with the result so I'm gonna proceed with this project
I bought the Fly Elise program and just like to show you the program
(let's see here)
(There)
That's the Fly Elise Immersive Pro program
And it's fairly easy to use
One thing though that cost me a bit of headache to begin with
you need to activate the Nvidia Surround function
It's in the Nvidia control panel you need to do that first - at least I did
I couldn't make it work otherwise
Before I had these letters there. That was one screen and one display
and then overhere a second set of letters that was displayed too.
Using this surround function this is now one display
and you have the lettering in the middle right there
Before when I had letters here and here when I started the program
the second screen over here would just go black
Now it's working! Setting it up it's actually fairly easy
The way I did it - The rough calibration was using my structure behind the screens
You can see I have one, two, three, four vertical supports for projector one
and then over here is projector two - one, two, three, four supports
Then on the top here I have a horizontal support; stabilizer - horizontal stabilizers
and I have one down here as well going behind the screen there and then understand
Then on these columns here I put a small piece of tape and marked it black for each 30 centimeters;
There, there, there, and then we have stabilizer behind there
so that gives me one, two, three, four, five, six points under way down
And one, two, three, four columns and six rows.
In this program what you do is you press "Configure"
Then you're get a picture that looks like this - you might have seen this before
Over here you configure the number of points you need.
Six - no - four and six and then you can choose a different picture
here if you don't want this with all the numbers
But I think it's that's the easiest one to use
Here you can see all the points one, two, three, four, five and number six is down here
Then it's it's actually just a matter of
taking the points like the one up here you can see it goes green there then you
can just pull it around and I need to put it right there
you take this one and you do the same but now I haven't removed the screen and
you cannot see the point - the mark - behind the screen
but I'm sure you can understand what I'm getting at.
That should give you perfect perfect squares
because I'm using this sheet and it is not even all the way around there is a
bit of difference you can see number four there is a bit wider than number 1
I'll fine tune that once I get
get a better screen / a better material.
I've also considered using this
This is a laser. I do not know what it is called in English
But it displays a red arrow - a red cross.
You might be able to see it right there around 17. I think it needs new batteries
You can also use that .
It's a matter of getting getting it on the same line.
then you... - once you've done that - you go in here in the program to blend
and then you start the overlap
First of all first of all you take the projector number one
and then lift the right side. I need to do the right side and then you can see
change the overlap which is the middle where they meet.
When you do that - this happens okay so you need to get that set to the right value so that they
meet over there between 16 and 17
Then you can fade the picture
You do that like this and the fading helps you - prevent you from getting two pictures at
the same place. That's gonna give you a small white a brighter mark all the way down
I actually got that - and I am going to calibrate that later on
You can also see that my 17 column is a bit narrow compared to 18.
16 goes up a bit.
That's fine tuning again. I will take care of that at another time
Once you're finished remember to click "Save" and then you're ready.
I just need to put just prepar3D in full screen mode again.
There we are.
And then you have a result that looks like this.
You can actually see that white line bright line I talked about right there
That's where they meet.
Fine-tuning later on
I still got some issues.
Take a look at that car coming here from the right to the left
Looks fine right now. Looks like a car. And then when it goes to the side
it gets very big and just looks very strange
Might have set up Prepar3d in wrong way
I got one picture one view and a very low zoom rate
If I move to.. Let's see if I can get a picture up from the side...
You can see the airplanes here looks all strange.
If you look to the side that's a normal bus and a Boeing 737.
I haven't looked into that yet.
But this this is good
Next I hope to be able to build the frame so that the picture of the windows kind of encloses the cockpit
I've also started connecting all the things, the overhead, the pedestal,
throttle the announciators.
Almost everything is working!
There's a bit of building left and then all the loose wires need to be reconnected.
This this is okay. Actually this is quite good
I'm Peter from BuildaBoeing. You guys take care. Bye bye.
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