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hello youtube and welcome back to the Robbie Bobbie Channel I am your host

ROBBIE BOBBIE today we have got something exciting we're going to be playing a

classic game to celebrate my 600 subscriber mark thank you guys so much

by the way I really do appreciate it and check out the channels there are some

cool guys on the Internet at the moment and they have helped me and supported me

so let's have a look at the game that you probably never even heard of unless

you're a die-hard Star Wars fan and this is the Japanese version of Star Wars for

the Nintendo that came out in 1987 I think and now if you read their intro

you will be aware that there is a word in the game so you have to watch the

whole video to find out what the word is and the word is nothing yet mmm-hmm

we're gonna play the game and we go we're gonna go novice and we're going to

play as Luke Skywalker Luke help my plane kidnapped by the evil empire

emphasized on the evil and I made up the evil because it's not in the text and

there's two little turds taking our two least there they look like turds they

they could be jealous I think they're caught judging ours we've got black hair

all of a sudden okay so we've got black hair what's my weapon I got this I got a

stick I got a glowing stick okay so we're gonna go and kill these jours

these gelas everywhere they Joe is by the way look like baby general light

bars

I'm taking that these I think the ones that I think the things I'm collecting

are force powers I could be wrong but I could be right 28 force to Luke I've got

so yeah they're they're going to be forced hours I think okay and I've used

up horsepower mr. lightnin I've got a firing laser stick don't mess with me

how am I gonna fight in that stand growler that is too small

come here stone chipper gonna get that birdie

got that little birdie right there he told me I told him not to go and he

called do you think uh facing the wrong way to kill a JAWA

just wait okay I died again I can't believe it's it's just a Jawa walking

back and forth and he's killed me like three times an eagle how did an eagle

shoot me down kill me down even hit me down well I

don't know what I'm talking about okay obviously I'm just warming up at this

stage so I'm gonna be playing a game now properly playing the game that was just

a warm-up stage okay what will you come inside me please

I'm waiting for you Lake they obviously don't know what's coming for them which

is a a blue glow easy stick oh why did you

guys ever use like fluorescent blue q-tips when you lost your lightsabers

for your Star Wars characters back in the back in a day I did and you probably

did not okay okay let's wait for this bird

and we got Darth Vader and ascend crawl or see that then this game didn't stick

to the movie whatsoever such a monstrosity I am so sorry Vader I have

your friend here prepared to die ever never in wait a minute I'm going to use

the Force I've seen this guy's dick in action so I'm going to use this as oh

he's at school peeing of sudden major is a school feeling and he's trying to kill

me before his father and his father before his father it's kind of still to

know did a third guys gotten it is that our two stirred or is that no two turns

with the eyeballs I don't know they seem to be third chaves chaves returns and

they're jumping up and down there's a jumping TURD said Jumping turd

on him if you were gonna get into the Speeder

killing everybody in my way whoa

we have landed safely home that contact with now I've got him an uneven falcon

for some reason I've got eliminating fokin there's no Han Solo Chewbacca but

I am flying I'm flying Luke I am everyone kind of it I've been held on

Castle against my very of course I don't want to get hit by those green balls

because they will kill me and as you know that once you die there's no Coon

egg I'm just gonna fly one way so I don't get hit by those balls oh come on

at the same time I got to hit those come on Darth Vader yeah got it in one

come on ty TIE fighter where are ya aren't you maneuver

hey hey I've done it well meanwhile back at the cutter in the Jawas are taken

over Luke's house and as a frog on Kessel

why is the planet full of frogs I dunno I don't understand

and it's very Egyptian what what luckily I saved this so I'm gonna go back in

beginning ok are what safe I forgot what's a beginning in the little snake

he wants to hurt me but he does and I've done the same thing why is this brick

flowing in the sky just not doing anything I'll go the other way

and fall down the hole again whoa that is called skill I am a Jedi

what is this way this is proven challenging I don't know why I did this

I don't know why I did this okay I just forget the gun that's that okay

that's die instead both why do why I do like the music in there I think the

music in this game is better than the original snez that we had okay so I've

got the gun now what

let's go here Bobo you're not all the way back here

it's never good sign okay all the way back here and I'm gonna

try kill a snake just kill a snake and let's kill it

yeah first time okay I think they can't destroyed my chances I jump in on top

okay no they were cool okay we gotta time this just right and not fall down

the waterfall because this I've done it again why is this impossible use the

lightsaber yeah this is a weird concept for Star Wars I don't know why I don't

know why that this is based on the movie star wars I really don't know I've got

the levitation yeah then Fleming okay so let's go into what does this do

yeah there you go it kind of weird a little I wasn't expecting that but Gil

the snakes kill the snakes okay I think I might save it here actually why is he

shooting me you saved it saved it I saved it okay okay we're gonna use

that levitation thing again I'm gonna use that what was it

I like the levitation thingy majiggy Oh

tell me filled me okay we're back here again and we're gonna try that

levitation thing again and then just time it you cannot seriously shoot me

from that far distance now okay we're gonna shoot you and then you're gonna oh

my days how can I die I have not Eva okay legend gentleman I think I'm gonna

pause it there the flashing word did come up I hope you guys saw it let me

know in the comments down below what the word was and I will randomly select a

winner when it's closer to November time but guaranteed somebody will win a

battle front to the standard edition I almost forgot what I was giving away

then I know guys I hope you liked this video give this video a like if you like

and subscribe if you haven't already done so see you in the next video when

I'll be doing more builds and more unboxings and more retro gameplays until

next time Robbie Bobbie signing out

For more infomation >> Battlefront 2 giveaway! STAR WARS unseen gameplay for NES classic games - Duration: 13:25.

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French Music in French Cafe: Best of French Cafe Music (Modern French Cafe Music Classic Music) - Duration: 3:37:51.

Title: French Music in French Cafe: Best of French Cafe Music (Modern French Cafe Music Classic Music)

For more infomation >> French Music in French Cafe: Best of French Cafe Music (Modern French Cafe Music Classic Music) - Duration: 3:37:51.

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Cute Classic Tiny House The Getaway By Glenmark Construction - Duration: 2:06.

CUTE CLASSIC TINY HOUSE THE GETAWAY BY GLENMARK CONSTRUCTION

For more infomation >> Cute Classic Tiny House The Getaway By Glenmark Construction - Duration: 2:06.

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Mercedes-Benz A-Klasse 160 CLASSIC Airco Trekhaak APK 09-2018 Inruil mogelijk - Duration: 1:01.

For more infomation >> Mercedes-Benz A-Klasse 160 CLASSIC Airco Trekhaak APK 09-2018 Inruil mogelijk - Duration: 1:01.

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Mercedes-Benz A-Klasse 150 Classic 5drs - Duration: 0:54.

For more infomation >> Mercedes-Benz A-Klasse 150 Classic 5drs - Duration: 0:54.

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Mercedes-Benz A-Klasse 160 CLASSIC AUTOMAAT Airco Trekhaak APK 09-2018 Inruil mogelijk - Duration: 0:59.

For more infomation >> Mercedes-Benz A-Klasse 160 CLASSIC AUTOMAAT Airco Trekhaak APK 09-2018 Inruil mogelijk - Duration: 0:59.

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Fiat Punto 1.2 CLASSIC - Duration: 0:54.

For more infomation >> Fiat Punto 1.2 CLASSIC - Duration: 0:54.

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Gluten-Free Classic Loaf - Duration: 5:13.

Hi there. Today we're going to be making a gluten-free loaf of bread.

We've got a number of ingredients here which are great.

We've got our milk, our gluten-free

Frankie's gluten-free all-purpose bread flour. We've got eggs,

we've got apple cider vinegar, yeast, salt, a bit of canola oil, honey and a bit of

baking powder - that's the secret ingredient. So I'm starting by putting

this in: some warm milk, into my mixing bowl. Then I'm going

to add my honey and my yeast. The reason you add the honey (you can actually

substitute sugar if you'd like) the reason you add the little bit of sugar or honey

is to help activate the yeast, it lets it get a little bit more on the way. There

we go out of all the yeast. Okay, so I'm going to let that rise for a little bit.

While it's rising I'm going to mix in my baking powder into my bowl of flour.

So it's 3 cups of all-purpose flour and I'm going to add my salt, which is a

teaspoon of salt. You can get our recipes online if you click the button on this

link or if you visit our website at http://glutenfreesrankies.com

Next I'm just going to mix this in really lightly, just that it's all well combined. The yeast is

starting to, to rise already which is great - just leave it alone for a while

and then after a while it'll just puff right up. So I'm going to mix this and

we'll let the Rees rise for a minute and once it's risen I'll be ready to add my

dry mixture and then we'll add all the rest of the wet. Ok, so the yeast

mixture is all ready I'm just adding my flour mixture which had the salt and

baking powder in it. I'm going to add my canola oil - there we go. I'm going to add

my vinegar and I'm going to crack two large white eggs. One, two.

- okay I have to put my Paddle on and let's let this mix up.

So I have to mix it for about a minute and a half to two minutes so it's really

well combined. It's going to be wet and sticky but once it's there I'm

going to start scooping it right into my pan. I've got a parchment paper lined pan

It doesn't have to do the entire pan this means to be most of it because

it's not going to stick to the pan typically, it just helps it get out.

So I'm going to put this on high now.

Okay so what's nice about gluten-free baking is you don't have to wait for

proofing because there's no gluten in anything it just rises automatically

it's really fast, it's really quick, it's really easy. I typically do one or two

loaves almost every day or buns or bagels or something along the lines. It

takes me about 30 minutes of my time plus baking and yeah it's easy at that point.

I was saying to somebody that they could easily take 20 minutes of their time and

make a loaf of bread or, or 8 or so buns in the amount of time that it takes them

to watch one TV show a - 20 minute TV show and then while they're cooling they

can be watching another TV show. I mean it's so simple so you can really see just

how sticky this is bread dough is, it's incredibly sticky, but I'm just going to

spread it out as best I can.

Okay, now I'm going to just scrape that off. I think I'm going to wet my spatula

now. Sometimes little tricks like wetting your spatula will keep things from

sticking so badly. Yeah that worked really well - just a little bit more. You

can see just how much smoother it's making it just by having that little bit

of water on there. Okay, so, I'm going to let that rise now for about 20 minutes at 20

minutes I'm going to put it in my oven at 375F for about 20 minutes I'm going to

check it and then turn it and I checked the internal temperature of it and then

we're going to pull it out and we're going to see what it is. So here we go.

There you have it - look at that gluten-free loaf. Fresh, tasty, crispy on

the outside and yummy on the inside. Soft on the inside. All to enjoy so easy to make.

For more infomation >> Gluten-Free Classic Loaf - Duration: 5:13.

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See Tyrus Wong's work in classic Warner Bros. movies - Duration: 1:18.

This is a sketch for the picture "Harper" with Paul Newman. You know, I had

to make this here to show the director, you know, so they can go in and build the set.

This is the astrology bit, but obviously without much success. Any astrologist in

particular? This one is from "Wild Bunch." Sam Peckinpah was the director.

For the most part, you really had to work on everything. We didn't question

what they gave us, we just did it. He's got some incredibly beautiful drawings

for an unrealized Warner Brothers motion picture that was meant to be a musical

it was influenced by Salvador Dali - very surreal, very unusual colors he was

trained to be able to do anything, and he could do anything. And he followed his

assignments, and his assignments were to be flexible, innovative and work to the

service of that screenplay.

For more infomation >> See Tyrus Wong's work in classic Warner Bros. movies - Duration: 1:18.

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Use Orchestrations v2 in Oracle Cloud Infrastructure Compute Classic - Duration: 8:15.

Welcome to Using Oorchestrations v2 in Oracle Compute Cloud Service. In this

demonstration we'll use orchestrations v2 to create an instance and set up all

the required networking objects that enable us to connect to the instance

using SSH. In this orchestration, we'll create an IP network and add an

interface of the instance to the IP network. We'll also create a vNICset, a

security protocol, a security rule, and an access control list or ACL. This will

enable us to connect to the instance using a previously created SSH key. First,

we'll look at the orchestration file, which is in JSON format. With

orchestrations v2, there are several features that we can

use when creating orchestrations. One important feature is the desired state

of the orchestration, which indicates whether we want the objects to be

created immediately when we upload the orchestration. In this example, the

desired state is specified as active, which instructs the system to create the

objects immediately. For each object that we define in an orchestration, we can

specify a label and a description. The label provides a reference ID, which must

be unique in the orchestration. We use a label to reference an object in other

objects. For example, if we create a storage volume, we can attach it to an

instance by referencing the storage volume's label and its name field in the

instance definition. The type field indicates the kind of object to create.

In this case, we're creating a storage volume, so the fields within the template

define the storage volume. The fields in the template vary depending on the

type of object that we want to create. Effectively, any information we specify

in a template is used to create the underlying object. We also have the

ability to mark individual objects as persistent. This is useful when we want

to tear down some, but not all, of the objects defined in an orchestration. If

we specify that all storage volumes should be persistent, then when we

suspend the orchestration, nonpersistent objects such as instances are deleted,

but storage volumes and the data stored on them or not.

For example, this setup would allow us to modify an instance without compromising

our data. Let's explore an example of object

referencing. In this orchestration, when we define the vNICset, we refer to the

ACL that we also create in this orchestration. We do this by specifying

the name of the ACL in the applied ACLs field. Consider the security rule that

we're defining here. Instead of specifying the name of the ACL, we

reference the label and the name field of the ACL. When we use object references

like this we don't need to specify relationships between objects, because

references are implicit relationships. For example, if an instance references

multiple objects including storage volumes, IP networks, IP address

reservations, and so on, the orchestration waits for all of these reference objects

to be created before launching the instance. In this orchestration, we define

a number of different types of objects. First we define storage volumes. We also

add an SSH key, which we previously created. This is the value of the SSH

public key. When we connect to this instance, the corresponding SSH private

key is used to authenticate access to the instance. Next, we define networking

objects. We create an IP network that we'll add the instance to, and we create

an ACL and a vNIC set. We also create a security protocol and a security rule.

The security rule uses the security protocol to allow access to instances

that have an interface in the destination vNICset. The ACL is used

to apply a set of security rules to a vNICset. Next, we create a public IP

reservation. This provides the public IP address that we'll use to connect to the

instance. Note that we set persistence to true for most of the objects in this

orchestration, including the IP network the security rule and ACL, and the public

IP address. This ensures that if we ever shut down the instance, none of the

networking is disturbed. With the IP address reservation set to be persistent,

the public IP address of the instance won't change if we suspend the

orchestration and restart it later. And finally we create the instance. Note that

most of the objects that the instance depends upon, such as storage

volumes, the vNICset, and the SSH key, are included in the instance definition

by using object references, that is, by referencing their label and name field.

This ensures that the instance is launched only when all of the referenced

objects are ready. Now that the orchestration file is complete, let's

upload it using the web console. Because we specified the desired state as active,

the orchestration starts immediately. While the orchestration is creating the

objects, its status is displayed as starting. When all of the objects have

been created, the orchestration status changes to ready. As the orchestration

starts, objects defined by the orchestration are created. The storage page shows us

that the storage volumes defined in the orchestration are now online. The IP

networks page lists the IP network that we defined in the orchestration. On the

virtual NIC sets page we see two vNICsets, vnicset1 and default.

vnicset1 is the vNICset that we defined in the orchestration. The default vNICset

is created out of the box and a default ACL is applied to this vNICset.

This allows traffic across all vNICs in the default vNICset. The

instance we defined in the orchestration hasn't been added to the default vNICset,

because we explicitly specified that it should be added to vnicset1.

On the access control list page, we see the default ACL as well as the ACL that we

defined in the orchestration, Acl1. The default ACL applies the default security

rules to enable traffic across instances in the default vNICset. Acl1

contains the ingress security rule to allow SSH access. Next, let's go to the

security protocols page. Here we see the security protocol that we defined in the

orchestration. And finally, here's the IP address reservation that we created in

the orchestration. The instances page shows us that the instance is running.

With all of the network objects in place, let's log into this instance using SSH.

We can look up the public IP address of our instance on the IP reservations page.

To start an SSH session on a Windows system, we launch PuTTY and enter the

public IP address of the instance. We enter the passphrase for the SSH key and

we're done. We've logged into the instance as the default OPC user. We can

now proceed to customize the instance, install apps, and use the instance to run

workloads as required. Now, let's say we want to stop this instance, but we don't

want to delete the storage volumes associated with it. With orchestrations v2,

we can suspend the orchestration to stop nonpersistent objects. Remember

that we defined the IP network and other networking objects, such as the security

rule and ACL, to be persistent. Of course, to ensure data isn't lost, we also defined

the storage volumes as persistent. So when we suspend this orchestration, no

persistent objects are deleted. Later we can restart the orchestration to

re-create the instance and any other nonpersistent objects that were deleted

when we suspended the orchestration. Or, if we no longer need any of the objects,

we can either stop or delete the orchestration. If we stop the

orchestration, all objects are deleted but the orchestration itself is still

available and we can start it later. If we delete the orchestration, all of the

objects created by the orchestration are deleted and then the orchestration

itself is also deleted. For more information about orchestrations v2,

see the documentation. Thanks for watching!

For more infomation >> Use Orchestrations v2 in Oracle Cloud Infrastructure Compute Classic - Duration: 8:15.

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Rover 75 Tourer 2.0 V6 Classic - Duration: 1:00.

For more infomation >> Rover 75 Tourer 2.0 V6 Classic - Duration: 1:00.

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Split Personality: The Legacy Classic Trucks 1957 NAPCO Chevrolet - Duration: 10:26.

Split Personality: The Legacy Classic Trucks 1957 NAPCO Chevrolet

We've already had some experience with Legacy Classic Trucks and its founder Winslow Bent. The company's mission is to bring high levels of comfort, quality, and performance to the world of vintage trucks.

Its last effort, the Legacy Classic Trucks Dodge Power Wagon, was a success on all fronts, bringing stump-pulling capability and modern convenience to the legendary pickup.

It was for that reason we had high hopes when Bent announced his next masterpiece would be inspired by the NAPCO Chevrolets built from 1955 to 1959.

For that reason, we made the scenic drive to Ojai, California, to enjoy an afternoon with Bent and his NAPCO prototype.

Upon seeing the truck waiting for us at the end of the road, we knew we were going to have a very fun afternoon. 1957 Chevrolet Task Force Napco Legacy Classic Trucks Rear Three Quarter In Motion.

1957 Chevrolet Task Force Napco Legacy Classic Trucks Rear Three Quarter Static. Before taking the wheel, Bent gave us a quick history lesson on the truck.

From 1955 to 1959, Chevrolet offered its Task Force line of light-duty pickups with an optional "Power-Pak" option, supplied by the Northwestern Auto Parts Company, or NAPCO (a GMC version was also available).

The kit fit the truck with a front driveline, divorced transfer case, and related hardware to give it four-wheel drive. Unfortunately, it also gave the truck heavy steering, a stiffer-than-normal ride, and some scary handling characteristics due to its elevated stance.

While those problems are understandable given the age and intended mission of the pickups, they make them difficult to use on a regular basis. 1957 Chevrolet Task Force Napco Legacy Classic Trucks Front Parked On Grass.

But for those who simply must have the vintage feel of a NAPCO Chevrolet—but would like some added drivability—Legacy Classic Trucks has the solution.

The vehicle you see here is the company's first effort at building a NAPCO-style Chevy, and in spite of its rugged, vintage looks, Bent says the only part of the pickup that's from 1955 is its interior ash tray and sun visor spindles.

Every other component has been sourced or reengineered to deliver top performance and excellent fit and finish. 1957 Chevrolet Task Force Napco Legacy Classic Trucks Parked On Grass 01.

Photo 6/35 | 1957 Chevrolet Task Force Napco Legacy Classic Trucks Parked On Grass 01.

Premier Street Rod provides the sheetmetal, while Dynatrac ProRock 44 front and ProRock 60 rear axles provide mounting points for the Alcan springs and King Off-Road shock system.

Under the hood, Legacy Classic Trucks recommends an all-aluminum Chevrolet 5.3L V-8, displacing 327ci, but the company will also build the NAPCO with other engines from the LS family, and there are rumors a diesel model may be available as well.

This particular truck was spec'd perfectly, with the Chevy 327 under the hood, backed up by an AX15 five-speed manual transmission, the same gearbox you'd find in a 40L I-6–equipped Jeep Cherokee or Wrangler.

An Atlas twin-stick transfer case sends power forward, rearward, or all-fourward, with high and low ranges for each axle. 1957 Chevrolet Task Force Napco Legacy Classic Trucks Front Grille.

Modern braking and steering systems ensure the Legacy NAPCO turns and stops as well as it goes, and the whole kit is remarkably easy to handle around town.

Sized like a conventional NAPCO Chevy and featuring the massive windows the Chevrolet Task Force was known for, the Legacy is surprisingly easy to park in a garage or on the street.

It also gets attention everywhere it goes, particularly when the driver gooses the throttle and lets the 350hp, 350–lb-ft V-8 bark through the quad-outlet Borla exhaust system.

The center-exit exhausts are styled like those of the Corvette C7 and feature the sports car's dual-mode baffles, adding a subtle hot-rod touch that's easy to love.

With the baffles closed, the engine purrs sweetly throughout the rev range, but open them up and it roars at anything over quarter-throttle. 1957 Chevrolet Task Force Napco Legacy Classic Trucks Tailgate Exhaust.

Off-road, the NAPCO is a beast. Suspension travel from the progressive-rate leaf springs is fantastic, with 10 inches up front and 11 inches in the rear.

The 2.5-inch front and 2-inch rear remote-reservoir shocks absorb bumps exceptionally well and provide good control over the bumpy, crossed-up roads we encountered 2,500 feet above Ojai.

Bent says that although it does well in this kind of terrain, he designed the NAPCO for high-speed off-roading. 1957 Chevrolet Task Force Napco Legacy Classic Trucks Rear Dynatrac Axle.

Absent locking differentials, the Chevy instead features a Detroit TrueTrac rear pumpkin to provide lurid powerslides in dirt and sand.

Bent jokes that the Power Wagon is a truck for the steep, craggy Rocky Mountains, while the NAPCO is perfect for sandy, dune-filled Southern California.

"Take this thing to Pismo Beach and I think it'll keep up with a Ford Raptor," Bent boasted. We experienced its impressive off-road chops firsthand, as evidenced by our video courtesy of the Truck Trend Facebook page.

Stepping down from the high-riding truck gave us time to appreciate some of the details. The exterior of the Legacy Classic Trucks NAPCO 4x4 doesn't look overdone, with factory-style chrome trim, lighting, and finishes.

Available in stepside or fleetside designs, the bed features a gorgeous sapele wood floor. Bent says the marine-grade wood will wear in better than high-gloss oak, only requiring an occasional oiling to brighten it up. Vintage tailgate latches look and work perfectly.

1957 Chevrolet Task Force Napco Legacy Classic Trucks Sapele Wood Bed Floor.

The retro-mod design theme continues to the interior, where modern HVAC and stereo systems reside in vintage-looking facades. Full instrumentation hides behind an ivory-colored center gauge binnacle, styled in the same radar arc as a vintage Chevy.

The bench seat is upholstered in rich leather, a proprietary hide supplied by Horween that will weather and age, resembling a broken-in baseball glove after some use.

It also gives the truck a little more vintage appeal, thanks to the leather's fantastic natural aroma. If any area of the truck lets down the look, it's the modern bead-lock wheels.

If we had the money for a Legacy NAPCO, we'd option the standard steel wheels and dog-dish hubcaps for daily driving and light off-roading, then buy a second set of wheels for hardcore desert duty.

1957 Chevrolet Task Force Napco Legacy Classic Trucks Dashboard. With an estimated starting price of $120,000, the Legacy Classic Trucks 1957 Chevrolet NAPCO 4x4 isn't cheap.

But given the popularity of both expensive exotics and pickup trucks, Bent thinks there's a customer out there, someone who loves pickups and would rather spend his hard-earned discretionary income on a fun, off-road pickup instead of a BMW convertible or Bentley sedan.

We have to agree, and if we had the cash, we'd buy one in a heartbeat. In Tartan Turquoise, please.