Thứ Hai, 9 tháng 10, 2017

Auto news on Youtube Oct 9 2017

♥ Like + Comment + 2 shares helps channel!

For more infomation >> Doc Mcstuffins The Dark Knight Episode 26 - GOT MEDIA - Duration: 14:18.

-------------------------------------------

[FREE] Nav x Trippie Redd Type Beat 2017 - "Xan n Sprite" | Dark Melodic Trap Instrumental | - Duration: 3:18.

BUY THIS BEAT STARTING @ 9$

For more infomation >> [FREE] Nav x Trippie Redd Type Beat 2017 - "Xan n Sprite" | Dark Melodic Trap Instrumental | - Duration: 3:18.

-------------------------------------------

THE JOKER FACE (The Dark Knight) PHOTOSHOP TUTORIAL! - Duration: 33:54.

how's it going guys today I'm going to be doing a tutorial on how to make

yourself look like that Heath Ledger version of The Joker using Photoshop

of course this is just a spin off of what I did

a couple weeks ago to try and Photoshop yourself talk with Pennywise from the

IT movie so let's get started. I do want to just apologize that I haven't put a

tutorial up or uploaded anything in the last couple weeks, I have been sick so my

voice just wasn't well enough to do the voice over for a video. However it is

nearly 100% now so yeah I wanted to throw something as soon as possible so

let's jump right into this. So I'll just show you what I have here: this promo "Why So Serious?"

photo of Ledger as The Joker

so just did a quick pose here to try and give that same positioning of

that photo. First thing what I'm going to want to do, I want to cover up everything

surrounding the face so I only want the face highlighted the way I'm going to do

that is by creating a new layer and I'm gonna want to fill it black so this is

gonna take a few steps but let's then give that layer a clipping mask to make

sure that's highlighted. Grab the brush tool you're gonna also want the black color

for that this may be a little bit too big let's shrink out a bit so 1400 pixels

is good and let's just start filling in the areas that we want highlight so that

should be good I just want to point out that that

brush had a hardness of 0, we want that feather on it so it

doesn't look like it was cut out. so now that we have that I'm just gonna lock it

in place so now that we have that let's click the background layer and you just

want to create a black and white adjustment layer so just like the IT video

you want to bring up those reds and yellows you just want the white really

stand out in the face now we do have a clipping mask on here so I just want to

click on that clipping mask and zoom in grab the brush tool again let's

drop the brush size down I've got it down to six a seven (px) that'll do set

to black and I just want to color out the eyes so I want the original eye color to

show... really to show the Reds and the red tones around the eye and around the

skin and since we're here let's just do the same with the lips we're gonna come

back and revisit the lips but for me it helps me visualize a little bit better

if we look at the original photo you'll notice that he's got some eyebrows here

but they're covered and on my face mine are a little bit too dominant so I

actually just wanted to get rid of my eyebrows completely what I want to do is

create a duplicate of the background so if I hit command or control J

that'll create a copy of that and this exactly what I want because I always

want to keep a copy of the original in this file just in case have to go back

for any reason so now that I've created a copy I want to take my patch tool and

basically just cut out the eyebrows so I'm just gonna draw around so just it's

good so we just want to clean it up we don't want any dark areas okay

And the same for here this is gonna be a little bit harder because my

eyebrows are actually touching my eyelid there in the photo... not in real life!

so same idea here it's gonna come out a bit darker but we'll manage it's fine,

So we just really want to blend that

If we turn that black and white layer off, it might be a little bit easier

that's pretty scary let's turn that back on it's freaking me out a bit

okay again just to help me visualize a little bit more I want to get some of

the other details in here I'm going to want to create a new layer above the

black-and-white layer and then I want to grab the brush tool let's make a little

bit bigger and I just want to get the color in for the hair

sure we're so underneath the black layer at the top here we've

created that mask and then we're gonna want I already have it set here but we're

gonna want to get a green fill, so I'm using RGB values 23 117 and 1 and it

gets a pretty good color so if we just paint directly on here we're just gonna

get that solid green so I'm just gonna do that, and I just want to fill in my hair

we are gonna switch it to overlay anyways you get overlay then you can see

about the green hair in there. so what I want to do this just because in the

original promo photo Had I prepared for the photo a little

bit better it would have covered my ears but I don't like my ears sticking out

there so much we gonna cover that part up so I just want to go back to this

top black layer and...

let's unlock it, click the mask and I just want to go back to the paintbrush

tool and I want to start... start covering up so let's change the color back to

white and then just start filling out these areas I'm going to increase the

brush here 1000 will try. okay and then let's just start filling in those areas

there you go that so let's now get black and that's

really show the hair color here, we'll need a smaller brush for that

you'll notice that as I expose some of the under layers I'm going back and I'm

just retouching those up to cover up more of the background because they don't want

that showing so the next thing that I want to do is find the blemishes on the

face and you want to start duplicating it so i've got this wrinkle right here and

basically what I want to do is go back to that background layer again I want to

duplicate that layer so command J I'm actually gonna rename this just so you

can just help us keep track of it so this was the eyebrow adjustments and

then this one is going to be, just call it wrinkles for now so let's take

this wrinkle right here and you just want to duplicate it

sorry guys we wanted first we're gonna wanna draw where where we're gonna want

to duplicate it so let's just draw another one let's bring that down so you

can see you've got that right there umm, and I'm actually going to try duplicating that

so hit command J and edit>transform>flip horizontal

first let's lock... sorry I selected the wrong layer because I have my

auto select turned on let's just lock any of the top layers that we're not using

anymore. let me go back and get this wrinkle and I'll just put it here and

we'll basically just want to grab the eraser tool and increase the size quite a bit

and make sure that hardness is dropped down and let's just start getting rid of

edges. there we go so it just helps it blend a little bit more. and then I

actually want to merge that with the wrinkles layer so let's make sure you select

that layer that we just create it and merge it with the wrinkles layer below so both are

selected, right-click and hit merge layers

so again using that same one let's grab some of those blemishes that are under

the eyes so one right there. again we're using the patch tool to do

this so let's just draw something on the face where you want to copy that over

and just drag it you can see we're creating those blemishes here

lets try and put something on the forehead, those wrinkles.

I just want to turn off this black-and-white again. So, when we do this we just want to make sure we get all the edges

blend it really well it is a blended the black and white

adjustment layer will help with that

okay perfect just turn the black-and-white layer back on

and what I want to do let's see if we can actually extend these wrinkles in

the forehead a little bit so I'm sure that we are selected and let's go down

here to the smudge tool and i've got it set to 12... lets make it a little bit bigger Let's see how we can stretch these out

so pay attention to what your strength this year I have it set to

thirty seven percent if I wanted to go trying to carry on I usually do it at

about 80 or 90 percent but sometimes that can be too far... so that's a bit too far

so let's take it down to about a 60 let's just drag it through. Trying to get it a little

to follow the outline of the forehead. as you can see we've got a bit of an

outline smudge there so I'm just gonna take that patch tool again

and just help blend that a bit

just blend the edges. alright let's work on the mouth next

we go down here let's create a new layer and grab the brush tool.

we need a smaller brush about the size of the lip. let's change the color to the red we

want to get a little bit darker red so this red is about d60000. so first I'll

just want to do a quick outline of these lips so if we went with a multiply well I think that's

perfect actually let's just carry it out a bit so the

reason why we're just getting the dark shade here instead of carrying

that red its because we're underneath the black and white adjustment layer

we will only created a mask for that area of the lip so let's actually just

move this lip layer above black and white layer and there we go

let's rename this to lips and while we're here let's rename the hair layer to hair

oh sorry guys this layer was renamed when we merge the

two layers, it automatically took the name of the top layer when we merged the

duplicated wrinkle that we made earlier on so again let's just take this red

let's bring it out so go back to the lips layer let's bring this red out a

little bit more on each side and basically what we're gonna want to

do... this doesn't have to be perfect I mean Joker's lips aren't perfect the

lipstick is smudged but what we're gonna want to do is if we zoom right in here we

can see just the edge of the lip, we want to copy that over. let's go back to that

wrinkles layer so basically what I want to do is... this will probably work better if

I turn the lip layer off, so what I'm doing here it's actually creating this

stitched look right here where it looks like it's scarred up and on the lips

going straight off the face really the approach that I'm using here

is taking the edge of the lip each side of the lip and just duplicating that

across the face and we'll get that stitched look. so let's just create

that piece again so we're just following...

so just taking details from the lip itself and carrying it through

you just gotta get a bit creative with this and

how you want to extend it.

So if you just turn that lips layer off you can see what you've created.

So now that you have that pattern we can actually just duplicate it all

so let's create that patch in that area so that's okay then

So that's ok there let's do the same on this side

let's turn those lips back on. perfect. okay so now that the lips are back on

let's grab the smudge tool.

and you want to drop it down (size) from 60...

lets drop it down to about 25% and just start smudging away you can play with this

You can play with the strength, you can jump it up, I'll jump it up to a 35%

so play around with your strength level when

Mine is looking a little bit feather-ish right now so what I want to do is

really swirl this around

his is also going straight off to the edge of the face so let's just

bring that over here

I mean that's looking OK right now let's go with that. if we duplicate that

lip layer, so Command J we'll see it get a little bit darker because we're all the

multiply layer effect. we could adjust the opacity but what I want to do here is

grab the blur tool. there it is. and lets just start blurring that. we're at

about 68% strength here. Then let's grab the smudge tool again and let's just

start smudging the second layer. we'll get some different tones in

alright so let's just take the opacity down a little bit with that, let's put it at

about an 80%. and that'll do. so now we want to bring out those scar

marks. so let's go back to that wrinkles layer

let's duplicate that layer so we have another copy. now let's grab our

Burn tool. so the Burn tool will just really darken up all of the details so

let's just increase the brush size there and let's start darkening. We really want

to darken up these blemishes and these wrinkles but the biggest thing we're

gonna want to do here is the eyes so how do we get the dark spots around

the eyes like the Joker has in this picture? well that's going to be done

using this Burn tool. so with that wrinkles copy, let's just start burning around

the eyes. just draw around the eyes. you'll have to click a few times. Same thing, let's do the other eye.

keep in mind when you look at the original photo here, it's not as

top-heavy as it is bottom heavy so we'll fix that let's

just get the dark shading there, the way we want it. make sure you get up here in the

corners and at the bottom so if we take a look at the layer effects

and we put this to multiply you can really see that darken up and

that's essentially what you want here. so now that we have that let's

create a clipping mask on that wrinkles layer and let's fill it black...

try that again, let's fill it black so that we're not exposing anything

now grab the brush tool, let's make it a little bit bigger let's make sure our color that we want

to be brushing is white and just start filling in around the eyes again we want

it we only want to expose the dark areas around the eyes we don't want to expose any

other area on the face. now that we have those

areas filled let's just clean up the top so you don't have as much as the top

part darkened. we just want that bottom and the sides really

dominating the dark spots on the face. so let's turn this back to black

and let's just start removing

if we compare that to this one, I think we're just missing a little bit too much on

this side but.. there we go. so let's just put a little bit more back

just above the eye. this could take some time to really perfect here but,

that's all we're doing. the other thing that we're gonna want to do is burn the

eyeball, the eye color so that it's just more of a black to a dark dark brown so we

should be able to achieve that just by filling in the eye, just making sure you've

got, from that original layer let's just make sure that part of the mask is

not filled in so that we're exposing the darkness there, what we do

really want to expose is those red areas, the veins and the eyelids here we want to

really stories about so let's just reduce the brush size here and turn it

back to the black and we actually want to get a really small brush here and

just make sure that the white and the pink and red areas are really exposed

so this eye is actually a pretty good thing that we have it what I want to do

here also is create the color correction so right above

the black and white adjustment layer let's create a

colour balance adjustment yeah let's bring out those Reds

same deal we want to fill the clipping mask black so we're not exposing everything

grab the brush tool get a slightly bigger size and start filling in

the eye area with the white because we want that red to stand out

so that can actually go down just a bit let's drop the opacity a little bit that works and

now that I look at this this eye needs to be blended a little bit more so let's grab

the wrinkles copy which we're gonna actually want to turn into (rename) black

spots and let's just start... Make sure you've got the clipping mask selected

let's just start filling that in just a little bit more natural.

let's use a smaller brush because the feather is taking up a bit too much space there

so really what I would do here is

let's try one thing if we duplicate the black spots they come and even blacker

so depending on how black you really want this we could do that

I'm going to keep that but I want to drop the opacity down quite a bit

... to 35% there. so you can see he's got a lot of like, his his eyes are pretty white

I think ours are a little bit too red so let's go in and let's just let's

turn that black spots copy off and go to the original one and let's just expose

some of the original eye on there and that way we'll get more of the white and

black in there I just want to get that white color out more so you don't want

to show more of the green so let's just make sure we keep that colored in

as much as you can, same with the other side here

you know what we're gonna turn off that color balance right now let's not use it

let's start off with the original again let's grab the smudge tool it depends on

the size of your photo but we want this to be really narrow streaks and let's

try 35% should be good. sorry lets jump the strength up to about

80% so jumping back to that mask not the image let's grab that smudge tool and

start... first if we look at the original image you can see where this is really

coming down towards the nose and there's almost like a spiderweb so let's just

try and create that here

we'll have to just switch back and forth from the image to the actual mask and

see where we need to start pulling from, or start smudging from

so again we still want it to look a little bit more natural so lets grab a bigger brush here

and just kind of smudge this down

sorry guys I am hitting command Z I just want to get the perfect streak there

which is why...

let's go take it back down to about seven and start

so let's turn that top black spot layer back on and lets see what we did here. that's

pretty good there. what we're gonna want to do now is actually expose the black and white

adjustment layer expose the the colored part of that in these areas so if we

take the brush tool again make sure you have a black and white unlocked

so a few things we can do let's actually drop the opacity of the

brush down to about a 25 and just kind of follow where we've done those wrinkles

just to get a bit more of that human tone in there

and then let's take the blur tool and it's just blur what we've done there

let's darken up some of those details the wrinkles layer

and let's take the burn tool again and let's just start

highlighting those areas. let's get that shadow under the nose

go in there that shadow is in the original image as well

so I actually think that we're probably going to want to take that

black and white adjustment layer and let's just see what a Gaussian Blur it looks like on that

yeah perfect actually that's exactly what I want right here

we're just exposing a little bit of the natural color

we've got it at about a 10 pixel radius. Hit OK. I think we need to add a couple more wrinkles to

the forehead here, so let's just go back to that wrinkles layer. so let's just

copy those wrinkles over basically take that patch tool again just outline where we want to place more

some more then just drag and see where we can take it from there. That's pretty good.

And we're going to want to do the same thing to the black and white adjustment layer

So let's draw around that wrinkle.

perfect so we're just exposing that color on

here so what I'm going to want to do is now that I'm looking at the original we

can see that his forehead wrinkles the original forehead wrinkles are not

as dominant as they are on ours so we're gonna want to lighten those up again so

basically all we're gonna want it to

is create a mask on that and grab the brush tool let's blow it up a bit

100 is good and make sure you've got the black color selected and our opacity is

at 25% so that's perfect so let's just start coloring over these so

they're less exposed

and I do think they need to be a little bit bigger so

I'm actually going to come back to this wrinkles layer

let's try seeing what this smudge tool will do for us again

so let's just make that a bit bigger let's just

try pulling them over but make sure you've got the right layer selected

so go back to those wrinkles and try and bring those over.

those are a little bit too dominant..

perfect um and then let's go back to that black

and white layer cause it's a bit too white. let's just try and take it down like 5%

to 95 and then we've got a little bit more that natural skin tone showing

take the sharpen tool that's what we need. so sharpen

and let's sharpen around the eyes so they really stand out

and let's sharpen the edges of the nose and let's sharpen all of those blemishes

sharpen... that's too much, once it starts getting grainy we know it's too much

so let's sharpen the scars here and sharpen the lips

we can sharpen the forehead a little bit so we are getting really grainy here and

that's okay because if we look at the original the original is quite grainy

it's part of the part of the texture of the skin so that's okay

And that's pretty much it.

That is how you Photoshop yourself to look like The Joker!

let me know what you guys think

upload your versions I'd love to see them

give me a thumbs up subscribe

I'll be doing more of these especially throughout the month of October, hope you guys enjoy it

follow me on social media: Facebook, Twitter and Instagram for updates

Thanks for watching guys!

For more infomation >> THE JOKER FACE (The Dark Knight) PHOTOSHOP TUTORIAL! - Duration: 33:54.

-------------------------------------------

The Long Dark 『Interloperへの挑戦』#69 - Duration: 39:13.

For more infomation >> The Long Dark 『Interloperへの挑戦』#69 - Duration: 39:13.

-------------------------------------------

Dark Souls 3 | PvP Arena and Invasions - Duration: 2:10:25.

For more infomation >> Dark Souls 3 | PvP Arena and Invasions - Duration: 2:10:25.

-------------------------------------------

Warum schwere Videospiele nicht gleich Dark Souls sind! | #TommyTalks - Duration: 6:49.

For more infomation >> Warum schwere Videospiele nicht gleich Dark Souls sind! | #TommyTalks - Duration: 6:49.

-------------------------------------------

How To Get Rid Of Dark Armpit! - Duration: 1:02.

hello welcome to health and fitness please leave your comment after watching

this video and also subscribe our Channel how to get rid of dark carpet

the dark spots under the armpits do not look aesthetic and may make you feel

insecure about your appearance fortunately you could get rid of this

problem by using natural means the combination of yogurt olive oil soda and

lemon is an effective method of whitening the skin under the arms and

preventing unpleasant odour here's how necessary products 1 tbsp yogurt 2

tablespoons of olive oil 1 tbsp of baking soda 3 tablespoons of lemon juice

preparation pour all the ingredients into the bowl and mix until you get a

smooth paste apply it to the skin under the armpits

and let it stand for about 10 minutes finally wash the mask with lukewarm

water and dry with a cloth apply the procedure twice a week thank you for

watching for more subscribe to our channel and share videos with all your

friends

For more infomation >> How To Get Rid Of Dark Armpit! - Duration: 1:02.

-------------------------------------------

DARK SOULS III PVP: Biker Build - Duration: 5:19.

For more infomation >> DARK SOULS III PVP: Biker Build - Duration: 5:19.

-------------------------------------------

초보자의 다크소울1(DARK SOULS) _ 흑룡 카라미트 10회 유다희 - Duration: 36:54.

For more infomation >> 초보자의 다크소울1(DARK SOULS) _ 흑룡 카라미트 10회 유다희 - Duration: 36:54.

-------------------------------------------

Louis Theroux's Dark States is an unsettling tale that sympathetically humanises drug addicts - Duration: 3:19.

Louis Theroux's Dark States is an unsettling tale that sympathetically humanises drug addicts

Louis Theroux's trip to 'Heroin Town' formerly known as Huntington, West Virginia undoubtedly had a strong effect on viewers who watched as the filmmaker explored the cause and effect of drug addiction in the US.

His visit was the subject of the first episode of his new series, Dark States – and the resulting documentary was as unsettling as you might expect.

Heroin Town saw the presenter travel to Huntington, and his interactions with victims of drug addiction are sympathetic and non-judgemental making the watch even more disturbing.

Humanising individuals with their back stories and important elements of their stories, Theroux indirectly encouraged onlookers to relate to the addicts rather than distance themselves from their suffering.

However, this episode failed to directly point responsibility towards pharmaceutical companies and authorities when it briefly touches on the use of drugs such as fentanyl, which is legally prescribed and 100 times stronger than heroin.

The opioid pain medication is constantly mentioned as a catalyst for drug addicts but the reasons why the doctors who prescribe these drugs, thus leading patients to heroin, is not discussed thoroughly.

This was the common narrative that we saw unfolding as Theroux encountered people from various backgrounds – working class to well-educated middle-class – graphically shooting up.

Hearing tales from Petty Betty, a woman who started taking painkillers from her parents' medicine cabinet aged 12, and Edwin, a $200,000-a-year (£150,000) computer-genius about their daily struggles was both unsettling and unforgettable.

One of the standalone interviews came from a young woman called Katillia who alleged on camera that her boyfriend assaulted her – in front of said lover.

Her allegations developed as she suggested her significant had kept her a hostage more or less because he provides her with the drugs she is so addicted to. Alvin denied the allegations, also on camera.

For more infomation >> Louis Theroux's Dark States is an unsettling tale that sympathetically humanises drug addicts - Duration: 3:19.

-------------------------------------------

Amazing Health Benefits of Dark Chocolate - Duration: 3:39.

Amazing Health Benefits of Dark Chocolate !

This food is a very popular means of increasing fertility.

It contains very high levels of antioxidants that help fight general body pollutants and

toxins that may interfere with any bodily functions, including fertility.

The darker the chocolate, the better it is for male reproductive health.

It is rich in an amino-acid called L-Arginine HCL, which is believed to double the sperm

volume and density.

Not only this, it is also said to enhance the blood vessel dilation, thereby increasing

the blood flow in the reproductive parts.

However, there must be a balance.

Otherwise, there is a danger of putting on extra weight, which may again cause the testosterone

hormone to behave badly and reduce the levels of sperm inside the body.

A few dark chocolate squares a day is good enough.

Powerful Source of Antioxidants ! Have you ever heard of a measure called ORAC

? ORAC stands for Oxygen Radical Absorbance

Capacity.

It is a measure of the antioxidant activity of foods.

Basically, researchers pit a bunch of free radicals (bad) against a sample of food and

see how well the antioxidants in the food can "disarm" them.

The biological relevance of this metric is questioned, because it's done in a test tube

and may not have the same effect in the body.

However, I think it is worth mentioning that raw, unprocessed cocoa beans are among the

highest scoring foods that have been tested.

Improve Brain Function ! The good news isn't over yet.

Dark chocolate may also improve the function of the brain.

One study of healthy volunteers showed that 5 days of consuming high-flavanol cocoa improved

blood flow to the brain.

Cocoa may also significantly improve cognitive function in elderly people with mental impairment.

It also improves verbal fluency and several risk factors for disease.

ocoa also contains stimulant substances like caffeine and theobromine, which may be a key

reason cocoa can improve brain function in the short term.

Cardiovascular Disease ! The compounds in dark chocolate appear to

be highly protective against the oxidation of LDL.

In the long term, this should cause much less cholesterol to lodge in the arteries and we

should see a lower risk of heart disease over the long term.

It turns out that we have several long-term observational studies that show a fairly drastic

improvement.

In a study of 470 elderly men, cocoa was found to reduce the risk of cardiovascular death

by a whopping 50% over a 15 year period.

Another study revealed that eating chocolate 2 or more times per week lowered the risk

of having calcified plaque in the arteries by 32%.

Eating chocolate less frequently had no effect.

Yet another study showed that chocolate 5+ times per week lowered the risk of cardiovascular

disease by 57%

Không có nhận xét nào:

Đăng nhận xét