Thứ Ba, 24 tháng 10, 2017

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Hello everyone, I hope you're doing well! Today

I created a dark unicorn for Halloween

I hope you will like it. As usual when

I wear those contacts I can't see anything

so I hope my horn and wig are fixed correctly

We'll start the makeup right now!

I use my flash palette to do the base of my skin

I start by putting the blue shade on my forehead

cheeks and nose. As you maybe noticed

I already covered my brows. If you are interested in the

process the video of Lucy Garland is linked below.

To intensify I add some black

I set everything with a translucent loose powder

I use my Sugarpill palette

I want a purplish blue so I add some purple over the blue

base. Mine is Poison Plum from Sugarpill

I find it too purple so I add some blue over

mine is Velocity from Sugarpill again

I add some black shadow over the black base

I blend with a pink blush

I use a pinkish highlighter

on my light points

I use a big black pencil to do the bases

I build all the bases and then blend them

And I set with my black shadow on top

I blend my black shadow with my purple one

and then I add the blue color

On the naked middle of my lid I add some silver flash color

and set it with a silver star powder

I do some tears with my black shadow under my eyes

This is optional because I added some glitters after

I show you the steps because I did it but it's useless

I do my eyeliner as usual

I apply Lady Killer lashes from Rouge and Rogue

Homeoplasmine allows the glitters to stay in place

I apply a bit on the desired area

I first use Purple Unicorn from Itsinyourdreams

and then Silver Selene from the same brand

And then Noir from Glitpop

I think I put too much glitters so

I take a goupillon and remove the excess with it

I add some contrast by adding a bit of black liner

and put again Noir glitters on top

On my lips it's Evildoer from LASplash

I use the fixing mist from KVD

to fix the glitters on my neck

To add contrast I add Silver star powder on my lips

My wig comes from Heahair

I bought this Unicorn headpiece on Etsy

I put the link of the shop below

It's a regular headpiece that you

fix with some hair clips very easily

This video is finished. As you know I can't see anything

with those contacts on so don't wear them if you go

outside. There are some with some quadrillage I tried

some once but it's very difficult to see also

With some black sclera it can be awesome too

but I wore them a lot lately so I needed to change a bit.

I like these ones a lot actually

But they are really annoying

As usual if you wanna recreate it

don't hesitate to share on social medias with #marioncameleon

See you tomorrow for another Halloween tutorial!

For more infomation >> Licorne Dark Makeup HALLOWEEN 2017 | Marion Cameleon - Duration: 6:02.

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Mary Michael Patterson on Meg Giry's Dark Journey in LOVE NEVER DIES - Duration: 8:33.

Broadway favorite Mary Michael Patterson is starring as Meg Giry in the touring production of

Andrew Lloyd Webber's Love Never Dies: The Phantom Returns

Patterson recently popped into the Broadway.com studios

to talk about playing the formidable role, and why this Phantom of the Opera sequel

is a must-see for theater-goers across the country.

Mary Michael, we're so excited to have you. --Thank you.

Thank you so much for joining us. I really want to dive in and learn about

everything I can about Love Never Dies, but first of all, how excited were you

to find out that you'd be playing Meg int the North American premiere of this show?

--I was very, very excited. I did Phantom here in New York for a little while

and when I got the audition I was a little bit confused. But, I was excited

because it's such a different kind of role.

And she really gets to go on a crazy journey and express all kinds of emotions and sing all kinds of

songs.

I was really, really excited about it, and the more I got to know it, and the more

I went in for the team

It felt like a really good fit, so

So, it's exciting to get to do it.

--I was going to say, you joined the Broadway production of The Phantom of the Opera

in the midst of its 25th year I believe it was celebrating.

--Yep.

--How was playing Christine for a long time and then sort of to switch over into the head of

Meg? How has that process been for you?

--They are so different. And

And especially in Love Never Dies world, we get to look more closely at the characters, and

and Meg Giry in Love Never Dies is very different than Meg Giry in the original.

But, it's really cool because it's still the same world. It's still the same

vocabulary, and the same style, and musical elements are very similar in a lot of ways,

so, it's a fun a challenge and it's not normally something I get to do. I do a lot of

stand and sing and... --Right, right.

--Park and bark kind of roles, and Meg is very different. She gets to dance a lot

which is something I was excited to do.

And it's a little bit of a darker role, which

is fun. --And I want to get into that with you, but first, for anyone

who isn't familiar with

it, where do we pick up with Meg when we get started in this show?

--Yeah, so it's 1907, and 10 years have gone by since we've seen them at the end of Phantom.

And she is in Coney Island and she is the lead show girl

, essentially, at the Phantom's vaudeville stage, essentially.

And lots of different musical acts are performing, but she is the head of that team.

So, she's a show girl, she gets to do a lot of really fun burlesque style

numbers, and that's kind of where she is. And then when Christine comes

, they get to see each other, which she's so excited about because she hasn't seen her in

10 years and they were the best of friends dancing together in the core.

It's really exciting to do.

Yeah, and at the end of Phantom if I remember correctly, Meg finds the Phantom's mask

on his chair, so she's excited to have followed him here to Coney Island.

--Absolutely, yeah. --And to be performing.

What's an asset of Meg's, or a quality of hers in her maturing growth

over those ten years that you really admire about this character?

She's really resilient.

She puts up with a lot, and she does it in good spirit a lot of the time.

I think the Phantom is sort of a fatherly figure to her ina lot of ways and she

really wants to please him and do these numbers that he's written for her as best as

she can, and so it's a really sort of heart-warming story about how we work hard for our mentors

and we do certain things for teachers because we want so desperately to please them.

And I think that's a really admirable quality, and sometimes doesn't serve her

[laughs] but you know it is still a lovely side of her. She's really dedicated and loving toward

him and what he's created.

And I certainly don't want to give anything away, but Meg, as you mentioned

does have a very dark journey that she goes on. What did you make of all of that as you

were reading it and getting familiar with that?

Were you surprised? Did it sort of make sense for you that this was the character's journey?

I think at first I was very surprised.

but the more I spent time with it and with the amazing direction of Simon Phillips

and sort of what we've talked about together in our rehearsal process

it's a story that we hear a lot, right? It's a story that makes sense

And sort of she's been tossed aside one too many times and what that ends up creating

some animosity, some jealousy, and we've seen that in stories time and time again.

So, it's fun to get to play that. It's a familiar story, but it's very deeply examined.

Like it's a really beautiful look at what people will do for attention, love, all those things.

--And since you've spent so much time in the head of Christine,

and now you're getting to spend the time in the head of Meg

do you have a different appreciation for those characters on the other ends of those

characters?

Is it hard to switch to now I have to be super jealous of this, is that challenging

or fun? --It's very fun.

Yeah, because I spent so long singing that music and being in her head,

She's such a sweet character, but she's always at the center of it.

Everything happens to Christine. In the original and in Love Never Dies, really.

She's sort of what brings everyone together, so it's sort of this, she's almost like a magnet

for the story. And it's fun to get to b=play a character that's more, I don't want to say

active, but a little bit more. There's more that she can kind of go through.

It's less things happening to her, and more

and more she is driving the story.

--Right, and as Christine in Phantom, you have to spend so much time, not alone, but

only like with one other person. --Totally.

--But you would leave the stage just before everybody else would come on to the stage.

--And even in dressing rooms, you're on the other side of the stage in the New York

theater, in the Majestic, so you only really see the Phantom and Raoul.

And that's who you see on stage, and so it is very isolating, and Meg in Love Never Dies

is totally different. She gets to do all of these big, fun production numbers and see the ensemble

--She's a part of this troupe. --Yeah, and

she gets a lot of time with Madame Giry, and even the Phantom.

So, it's really neat. It's much more, it feels more inclusive.

--I think I read somewhere that your favorite moment in Phantom of the Opera was

the Don Juan sequence, right? Like the

opera within the opera.

Is there a moment in this show that you're really excited for people to see?

It can involve you, it doesn't have to, but is there a moment that you're super excited

for people...

I mean, the opening of Love Never Dies is... it takes my breath away.

And I've seen it. I saw it all through tech, I sat in the house and watched it.

But, hearing the orchestra doing what they're doing, and then against that see what the actors

are doing, it's one of those moments that I don't think people will ever forget theatrically.

And then I think also the final scene, which I will not give anything away,

--Right. --But it's such a, the stakes are so high, and it's beautifully played by everyone

in the cast and so I think that they'll leaving feeling satisfied by that.

When audiences across the country come out to see Love Never Dies: The Phantom Returns,

what kind of a night are they in for? What kind of experience are they going to have at that theater?

Oh, it is two and a half hours of romance in the best way, not in a sort of sappy way,

and not in a surface level way, but it's really a close examination at love.

And I think it's really a needed piece of theater right now

because it sort of reminds you, it leaves you with this beautiful thing of... at the center

of it all, we should just be loving one another, and for all of our flaws and faults and differences

, which I think is just such a beautiful message and I think it will reach people across the country in

different ways, but I think it's something that everyone understands at their core.

--Totally, and spending a night with the freaks! --Yes!

Exactly! And it's dark and it's funny. I mean there are funny elements

and so I think they're going to get a little bit of it all. I'm excited for people to get to see it.

They're in for a great treat. Well, thank you so much for joining us. Make sure you go see

Love Never Dies: The Phantom Returns with Mary Michael Patterson and their whole incredible

cast. Tickets are on sale. Thank you so much again Mary Michael. Good Luck --Thank you.

For more infomation >> Mary Michael Patterson on Meg Giry's Dark Journey in LOVE NEVER DIES - Duration: 8:33.

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Doc Mcstuffins The Dark Knight Episode 25 - Blue Deer - Duration: 14:55.

♥ Like + Comment + 2 shares helps channel!

Dark Knight

Lemme those a prettier than pumpkin path, I know

What are we gonna do at the party doc? We're gonna play games. I'll give you a hint

He's really brave it must be me

Donny said we could borrow Sir Kirby for the night

We're gonna play games

Snuggle in that sleeping bags it turn off the lights to tell stories oh

Excuse me

Did you say turn off the lights when Good King Donny goes to sleep?

He always keeps a little light on in his room. Huh well no lights here

Sir Kirby

Time to snuggle up and turn up the lights

I must ask you not to turn off that light

Indeed however. I meant mean dragons not nice ones like you

Are you okay

Yes, I'm not feeling very well at all I feel them shake

sweaty actually

Sir Kirby your heart is beating really fast. That's why you're so sweaty

Sometimes when someone is breathing fast and shaking and sweating

But have you ever been scared?

The truth is doc when it's very darkness it means you're afraid of the dark

What how can a brave knight be afraid of something?

Are you sure of your diagnosis lady McStuffins of this sleepover party?

fairly well

Greetings friends

I'm afraid of hurting people's feelings I

Like polka dots I

Need to know exactly what caused your darkwillies

Was there something you saw that scared you when the lights went out

Maybe in the dark that chair looks different

Will you be okay if we turn out the lights for just a second if you must know?

Look, it's not a monster. It's just the way the chair and the jacket look when it's dark

By Jove you're right

Now when we turn off that light, it won't be so dark ah I think I'm ready to give it the old Royal truck

Let's count down

You're totally calm your heartbeat slowed down and you're not shaking anymore

Hundred and it's not scary at all

Once upon a time there was a good night sir Kirby sir, Kirby

How he gets an earful a real snowman just standing there in the middle of a summer day

What happened sorry chilly well she could eat me I ain't had enough time

Are you okay

An ambulance at your service, thanks

Chili I think you're fine, but if it'll make you feel better is everything okay, doc. Sorry guys

Julie got knocked down, so I'm gonna give him a checkup

Go way too much didn't I see?

Don't worry doc. We'll find her you can come on out Hallie games over oh

You found me

coming out

Plays and bumblebees am I the last one to be found well

Did you all hear doc : I think even the dog next door heard

If I don't make it I want you to have my collection of snow globes and let Hallie have my hat

The

otoscope, please

No what or what you gotta speak up doc

I know toys can break it all kinds of ways, but I can tell you there's no frog in my

Sorry I didn't mean to scare you do you need a cuddle?

It's okay Chilly's checkup is all done

I'll fix them so you can hear all kinds of cool things

I'm supposed to be a nurse not a patient

Everybody needs a doctor sometimes

Besides all you have to do is close your eyes and raise your hand when you hear squeakers squeak

Lenny has a rooster at sunrise doc

Doc I'm getting great hippo hands waiting for you to squeak

You're all done with your tests

Huh so, I passed the test. What did you do?

Hyeyeon didn't Saturn clop them

Did it work

You have your stuff enosis

That means there's extra stuffing in your ear

Huh and that's my muffin in my ear

When there's too much fluff in your ears the sound can't get through

I'm gonna have to unstuff it. I'm ready doc

It's important to clean out fluff before it plugs up your ears

That's what I thought you soon now that Hallie and chilly you're all better. Why don't we play a game?

We never did finish hide-and-go-seek

Hey there

Do you like this one or this one definitely the tiara

Emmie I just saw your mom outside time for you to go home for dinner, okay?

Thanks. Did you have any cool patients nothing too interesting just a few colds. Oh and a sprained finger

How was your day good?

The doc is in

Big Jack's the name Poppins my game and here's

Hi little Jack

Hi, doc. I want to help you so you can pop up like you used to why don't I give you a checkup? Oh?

Maybe the little guy has stage fright, but I promise it won't hurt in fact. I'm here to help you feel better

Hey

I'll get you on track so you're ready for your checkup little Jays

No, are you gonna come with me? Are you kidding? You can't get rid of me kid

I'll be there if you need a cuddle I

Can use these in my act

Pretty cool, huh

How about it Little J. You ready for your checkup. There's nothing to it

Idea, I'm ready, okay

Let's take a look inside and see if we can figure out why you're not popping

Oh, no, not a pop artist. Can I get there's a contagious?

Oh, it sounds contagious chilly

Anything on you that pops sounds like we have something new to put in our big. Let's see

Now we just have to get you unstuck guess a check-up business so bad. Thanks for helping me get my thought back doc oh

Wait I almost forgot about the stickers wait wait there is someone I owe a good show too

How do you know Ricardo's gonna win because he's the best race car ever

And he always wins I raced him at least a bajillion times last night, and he never lost ever

That's just not possible oh

I'm sorry, Donny. I didn't mean to win. Just forget this race ever happened. I'm not tired

Donny you stayed up late last night racing your cars. I don't think you got enough sleep I

Know that for room anywhere, where is it? It's okay? If you don't remember after all you're the greatest race car there is

This is I am so why am I being carried Ricardo?

Regarding stop, racing, I don't know what a check-up is but I would like one please

We have a race car to fix it fast

Ricardo racecar

fastest race car there is

No, I cannot I've been erasing well all week. Well. How about we take a look at your engine?

Open wide

Looks normal, Oh sugar it looks like all that racing is wearing you out

That's it. What's it doc Ricardo? You race like a bajillion times last night, right yes a bajillion

Exactly for the big book of boo-boos

Yeah, my diagnosis is November mitosis

oh

My what is it doc?

Hey Dad your brother still sleeping oh, okay, could you plug Ricardo in for me if my best?

You

And I bet you that green light means Ricardo's all recharged

Toys go stuffed

Duck how is he Luke is gonna have a pretty tough race you haven't seen Mario. He's fast awesome

You win agenda

For more infomation >> Doc Mcstuffins The Dark Knight Episode 25 - Blue Deer - Duration: 14:55.

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"TRAPOWEEN" Hard Trap Beat Instrumental 2017 | Dark Rap Hiphop Freestyle Trap Type Beat | Free DL - Duration: 3:15.

"TRAPOWEEN" Hard Trap Beat Instrumental 2017 | Dark Rap Hiphop Freestyle Trap Type Beat | Free DL

For more infomation >> "TRAPOWEEN" Hard Trap Beat Instrumental 2017 | Dark Rap Hiphop Freestyle Trap Type Beat | Free DL - Duration: 3:15.

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Glow in the dark christmas ball decoupage tutorial. - Duration: 10:05.

Stick together with strong glue 2 parts of plexiglass ball ZGA001-80.

Сlean off the grease from the plexiglass ball.

Paint the ball with white acrylic paint C0200.

Fix the stencil K144 with adhesive tape and draw ornament.

Apply Contour relief paste 0CCAD.

Paint relief with white acrylic paint C0200.

Cut the motive from the rice paper for decoupage RP716.

Carefully tear the motive out of rice paper RP716...

then tear the motive from borders to center...

Glue the motive with glue for decoupage CGLUE.

Carefully tear another motive out of rice paper RP716 and tear the motive from borders to center.

Glue the motive with glue for decoupage CGLUE.

Apply water based varnish 733932 or KADL1.

Paint surface of the ball around the motives with acrylic paint C0359.

Apply water based varnish 733932 or KADL1.

Draw a circle using a plastic cup.

Using the stencil K144 draw ornament.

Apply Contour relief paste 0CCAD.

Paint ornament with acrylic paint C0359.

Then paint ornament with white acrylic paint C0200.

Paint the surface near the motives with rose and blue acrylic paints C9036 and C9042.

Paint relief with Paint Glow in the dark 16484.

For more infomation >> Glow in the dark christmas ball decoupage tutorial. - Duration: 10:05.

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Dark Souls 3| PvP - Duration: 5:12:32.

For more infomation >> Dark Souls 3| PvP - Duration: 5:12:32.

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The Voice 2017 Battle - Red Marlow vs. Ryan Scripps: "Fishin' in the Dark" - Duration: 3:53.

For more infomation >> The Voice 2017 Battle - Red Marlow vs. Ryan Scripps: "Fishin' in the Dark" - Duration: 3:53.

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Is the World Returning to the Dark Ages? | Salman Rushdie - Duration: 7:08.

Well, I saw a really alarming newspaper article just a week or so ago in which it was—some

survey had shown that more than 50 percent of self-identifying Republicans believed that

universities were bad for America, really that universities were actually a negative,

harmful force in American life.

I mean I had never seen any group of people saying that before, so that was shocking.

And I do think this is not unique to America, because also in England there is a similar

kind of distrust of expertise.

In the Brexit vote there—one of the things that came up over and over again was a dislike

of experts "telling you what to think".

And so somehow this mistrust of "people who know things" has become internationalized,

it's not just something about the American Right.

Obviously to somebody who has seen knowledge as being a great virtue and who has spent

his life trying to accumulate little bits of it and somebody who thinks of knowledge

as a kind of beauty, it's very discomforting to say the least to have people who think

of it as being suspicious.

You know, um...

Because what's happening it seems to me is a strange distortion of the idea of the

elite.

If you ask me "What's an elite?"

I would think more about the many, many billionaires sitting in the Trump administration.

Here's a government with more super-rich people in it than has ever been in any American

government, and that government calls college professors and journalists elites.

We're not the ones with private planes and golf courses in the Bahamas—relatively few

novelists have these things.

And the idea that we're the elites, whereas that group, that kind of 0.1 of the 1 percent

that considers itself to be in some way possessing the common touch, that just seems like an

absurd comic inversion of reality.

I think one of the things we see at the moment, and I tried to in a way capture in the novel,

is this idea of a world turned upside down, in which things that one thought of as being

normal—solid, believable descriptions of reality—are being stood on their head everyday.

The idea of reality itself, the idea of truth is something verifiable and objective, all

these things are being inverted and knocked off their pedestals.

Well, I mean there is a terrible thing which writers sometimes say to each other, which

is, "The worse it is the better it is," because when the world is in a terrible condition

there's a lot to write about.

I mean one demonstration of this is the literature, very often underground literature—the Samizdat

literature of the Soviet Union was of an extraordinary quality when there was this colossal adversary

of Soviet authoritarianism.

Many writers, both in a fiction and nonfiction, rose to that challenge and created extraordinary

work.

And I think it's not unfair to say that the literature of the post Soviet Union, the

literature of Russia since 1989, that there is a somewhat of a falling off, that it's

not quite as intense and extraordinary as that earlier work because of the lack of the

adversity.

To put it in another way it seems to me that spy fiction was enormously damaged by the

loss of the Soviet Union because suddenly, who were the enemy?

So I do think that in times this, which are very adversarial and in which the question

of the truth has become so central, there's a big place for art, there's a really big

role for art to speak up in such a time.

And I think more or less every writer I know in America is considering how best to respond

to the place we find ourselves, including me.

Most of this book was written before November the 8th, I mean the vast bulk of it was finished

before the election.

And I'm sorry to say that I guessed right, that's to say that I always knew that if

things had gone another way that there would've had to be some reshaping of a part of the

book.

(But actually anyway I needed to do a bit of reshaping because things don't always

turn out exactly as you foresee.)

But I wanted to try and capture this strange moment and to tell the truth that part of

the novel is very much background rather than foreground, so the actual storyline of the

book, what happens to the characters and how they resolve their particular dilemmas, that

would not have been altered in any way if the election had gone in another way.

I mean the story is the story, but the context of the story, the way in which America developed

from the beginning of the Obama administration to the present moment, what happened in that

arc of time, that's the context against which the story takes place.

And there I had to guess and gamble a little bit and then try and fix things right up till

the moment the book went to the presses, so that's more or less—there's a moment

when they take your fingers off the keyboard and say "we're printing the book today,

so you can't do anymore!"

But until that moment I was trying to fix things.

For more infomation >> Is the World Returning to the Dark Ages? | Salman Rushdie - Duration: 7:08.

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Sony's Answer to Zelda, Dark Cloud - Duration: 2:29:09.

For more infomation >> Sony's Answer to Zelda, Dark Cloud - Duration: 2:29:09.

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DARK SHADOWS (film) - WikiVidi Documentary - Duration: 21:06.

For more infomation >> DARK SHADOWS (film) - WikiVidi Documentary - Duration: 21:06.

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10 Dark Facts About America's First Modern Mass Shooting - Duration: 14:04.

10 Dark Facts About America's First Modern Mass Shooting

Mass shootings are a fact of life in the United States. In the first two months of 2016 alone, there were two major ones in Hesston, Kansas, and in Kalamazoo, plus many smaller incidents that went mostly unreported.

Given their frequency, you'd be forgiven for thinking that random mass killings are hardwired into American DNA. Yet all of these attacks, from Columbine to Sandy Hook to Umpqua Community College, all stem from a single day—Tuesday, September 6, 1949.

That was the day that World War II veteran Howard Unruh picked up his gun, strolled out into his neighborhood, and ended 13 lives. The incident became known as the Walk of Death, and it changed our understanding of mass violence forever.

Although the US had suffered mass shootings as early as the 18th century, none had ever been so meticulous, deranged, or senseless as Unruh's walk.

It was the first truly modern mass shooting, and it set the template for every horrific crime that was to come.

10. A Premeditated Massacre

Mass shootings frequently occur during moments of hot temper. The Waco biker shootout of 2015, which killed nine people and injured 18, started over a parking dispute.

However, when most of us think of mass shootings as a phenomenon, we picture premeditated affairs, like Columbine and Aurora. It was in this area that Howard Unruh had a modern outlook. He knew exactly who he wanted to kill.

A polite, quiet, 28-year-old man, Unruh's sedate outer appearance masked a mind festering with anger, paranoia, and jealousy.

A combat veteran, he'd returned to his hometown of Camden, New Jersey, after the war, convinced that his Cramer Hill acquaintances were out to get him.

We know this because by 1949, he'd begun to keep meticulous lists of those who had "wronged" him. A typical entry would list someone like Mrs.

Cohen, the wife of the local druggist, telling him to turn down his Wagner records five times. To Unruh's disturbed mind, these were unforgivable infractions.

Unruh had a tendency toward list-making (a sure sign of psychopathy). During the war, he made detailed notes on every German soldier he killed, describing the conditions of their bodies.

Now, that same hobby was blurring into his hometown life. As 1949 rolled on, Unruh's lists became longer and longer.

He began to identify people he wanted to kill and spent his free time practicing his shooting skills. As the year shifted into a sweltering summer, he began to make concrete plans, marking certain names with retal—short for "retaliate.".

9. The Final Trigger

In the aftermath of any violent tragedy, it can be tempting to wonder why no one noticed anything was wrong. In Unruh's case, it wasn't for lack of speculation.

Neighbors all knew that the shy man on their street had a dark secret. Local children bullied him for it. Only, it wasn't Unruh's carefully hidden psychopathy they detected; it was his homosexuality.

Unruh had been in the closet for nearly his entire life. In 1949, admitting that you were gay wouldn't just get you ostracized; it could get you thrown in prison.

Immediately after the war, Unruh wed a woman but seemingly felt only disgust at the thought of consummating their marriage. When the marriage imploded, he finally found the courage to indulge his sexual desires, if not always successfully.

The night before his infamous walk, Unruh had arranged to meet a man at a popular gay theater, where sex took place between gangster features and Barbara Stanwyck dramas. The man never showed.

It was this failed connection that seems to have pushed Unruh to edge of the precipice. After six hours waiting in the theater, his mind stewing, he returned home in a foul mood.

As he entered his mother's ground-floor apartment, he saw that the new fence he'd built between their property and the Cohens had been removed. Strange as it may seem, this was the moment that Unruh decided to act upon his dark fantasies.

The Cohens were his number-one enemies, taking up page after page in his book of infractions, and this was apparently one slight too many. Unruh went inside, took out his German Luger P08, loaded it, and waited for morning.

Sunrise brought the bloodiest day in Camden's history.

8. The Walk Begins

At 8:00 AM on September 6, Freda Unruh woke her son from an uneasy doze with a breakfast of fried eggs and milk. For 10 minutes, it seemed as though that Tuesday would be the same as any other.

Then, Howard finished his breakfast, went down to the basement, and came back with a wrench. He raised it high above his head, as if intending to kill his mother.

Freda later said that his face was blank, like he didn't recognize her. By talking calmly, she managed to keep him in place while she backed out the door and ran to a friend's house.

When the shooting started minutes later, Freda knew exactly what had happened. With his mother out the picture, Unruh grabbed a knife, some tear gas, and his Luger and headed out into the backyards of Cramer Hill.

John Pilarchik, the local cobbler, was working behind the counter when Unruh entered his store through the back door. Without saying a word, he shot Pilarchik in the chest.

Pilarchik fell to the floor with a surprised look on his face. Unruh then fired a second bullet through his head. He had just crossed the first name off his list.

Unruh's next port of call was the nearby barbershop, where his target, Clark Hoover, worked. It was at this point that things became truly gruesome.

Hoover was cutting the hair of six-year-old Orris Smith, who was due back at school the next day. Smith was sitting on a white rocking horse when Unruh walked in.

The gunman shot the kid right through the head, staining the horse's flanks a horrific red. As Smith's mother screamed, Unruh gunned down the barber and then stalked back out into the street.

For some reason, he'd chosen to execute a defenseless child. It was the first sign that Unruh's walk was moving beyond mere revenge and into much darker territory.

7. The Killings Turn Random

The moment Unruh stepped out the barbershop was when his walk finally metamorphosed into a modern mass shooting. From a targeted list, the attacks became suddenly random.

A boy watching out a nearby window only just missed having his head blown off when Unruh fired a shot at him.

Across the street, bar owner Frank Engel was nearly hit when the gunman unloaded a few rounds through the door of his business. Engel and Unruh had never spoken in their lives.

Although Unruh still had one major target left on his list—the Cohens—his killings after them would all be entirely random.

Combat veteran Alvin Day, 24 years old, slowed down as Unruh crossed the street, only for the gunman to shoot him dead through his windshield.

Helen Wilson and her mother, Emma Matlack, were killed waiting at a red light, while Wilson's nine-year old son, John, caught a bullet through the neck.

The saddest of all these pointless murders may have been Thomas Hamiltons. Just two years old, Thomas heard the gunshots and tottered over to the window to see what was happening. Unruh shot him clean through the face. The toddler died instantly.

6. Killing The Cohens

Before gunning down Alvin Day, Unruh made the last significant stop on his list—the drugstore owned by the Cohens. In his mind, these were the people who had made his life Hell on Earth.

They'd torn down his precious fence. They'd spread rumors about his homosexuality (or so Unruh believed). And he was going to make them pay.

Despite finding themselves at the eye of a storm of blood and madness, the Cohens managed some acts of astounding bravery. As Unruh killed a customer, James Hutton, in their doorway, Rose Cohen grabbed her 12-year-old son, Charles, and ran upstairs.

As Unruh's feet pounded on the steps, she hid her boy in a closet and then hid herself in a separate one. Her actions likely saved the young boy's life.

After Unruh shot in her hiding place, he apparently didn't think to look in the other closet. By keeping her son separate from her, Rose had ensured that he lived.

Others in the house were not so lucky. Rose's mother, Minnie, was shot trying to call the police.

Roses husband, Maurice, who Unruh thought had removed his fence, was shot trying to escape down the porch. The force of the bullet sent him flying into the street.

Unruh's work was almost done. He would kill one last victim, Helga Zegrino, who worked next-door to the Cohens. Unruh shot her as she was on her knees, begging for her life. It was a horrific, terrible moment.

It also marked the point when Unruh's rampage began to turn increasingly surreal.

5. Things Get Really Crazy

For police responding to a mass shooting today, there are endless procedures to follow, ingrained by months and months of training. In 1949, none of that existed.

So when the cops turned up to find Unruh fleeing back inside his apartment, they went for what seemed like the safest option. The building was surrounded by 50 officers with pistols, shotguns and machine guns.

Years later, Patrick Sauer of Smithsonian Magazine estimated that around 1,000 civilians were in the line of fire that day, many of them simply milling around outside the apartment.

Incredibly, with all the bullets pounding the building, no one got hurt. Unfortunately, that "no one" included Unruh. Despite having hundreds of rounds fired at him, Unruh managed to keep firing back, not sustaining a single injury.

Meanwhile, a world away, Philip Buxton of The Camden Evening Courier was just receiving the first reports of the shoot-out. For some reason, he decided to look up Unruh's number in the phone book and give him a call.

As bullets whizzed through the air, Unruh and Buxton had a short, strangely civilized conversation about the killings.

When Buxton asked how many he'd killed, the gunman said that he didn't know but proudly added that "it looks like a pretty good score." When the reporter asked why he was killing his neighbors, Unruh seemed taken aback.

"I dont know," he replied. "I cant answer that yet. Ill have to talk to you later. Im too busy now." And he hung up.

At that point, a cop finally hurled tear gas into the apartment and smoked Unruh out. With a call of "I'm surrendering," America's first mass shooter stepped out the door and into history.

4. Schizophrenia

In the immediate aftermath of the killings, Howard Unruh's first words were, "I'm no psycho, I have a good mind." In light of what happened next, those words would take on a grimly ironic sheen.

Although Unruh thought himself to be sane and provided clinical details of his crimes to investigating officers, no one at the time thought that a mass killer could be anything but a maniac.

The day after his arrest, he was transferred to the Trenton Psychiatric Hospital for the Criminally Insane. Locked away in its calm and peaceful grounds, the man who had just murdered 13 people would never be sentenced.

Instead, a group of doctors pronounced Unruh a paranoid schizophrenic, incapable of standing trial. In his Smithsonian Magazine article, Sauer argued that this was almost certainly a misdiagnosis.

Unruh didn't have any of the symptoms of schizophrenia; he was simply an angry, probably psychotic, man who decided to kill his neighbors.

Were his case to have come up in the modern age, he would almost certainly have been deemed fit to stand trial. Even Unruh himself claimed that he should get the chair.

But 1949 wasn't the modern age. The first modern mass shooter in US history made a terrible fit for the mentality of the postwar generation, so they simply forgot about him.

Unruh spent the rest of his life attending art classes and pottering around at Trenton Psychiatric Hospital. Not once in his remaining 60 years of life did anyone think to bring him to trial.

Despite murdering 13 innocent people, Unruh was never convicted of anything.

3. Publicity

Although he wasn't convicted, Unruh wasn't silent about his experiences. He flatly told doctors and police everything they wanted to know about his crimes, sometimes in sickening detail.

He also supplied possible clues to his past. He claimed that he'd once climbed into bed with his mother and fondled her breasts, their genitals pressed against each other.

While it's unknown if these confessions were true, they were certainly sensational. Add to that Unruh's sensational crime, and his case became a lightning rod for publicity.

It's this final element that really makes Unruh's Walk of Death different from everything that had come before. Previous US mass shootings had merely been crimes and were soon forgotten.

But there was something about this case that proved different. It latched on in the psyches of both the public and unbalanced people everywhere.

The New York Times covered it in a Pulitzer Prize–winning article. People across the country pored over every detail of the terrifying, perplexing case.

Unruh became the first celebrity mass shooter. It was a watershed moment that would usher in everything that came after it.

2. The Final Twist Of The Knife

When writing the story of any mass shooting, it's all too easy to forget about the victims. They become peripheral characters in a larger drama about an angry person with a gun and a grudge.

Charles Cohens whole life became exactly that. At 12 years old, he'd hid in a darkened closet, forced to listen as a madman murdered his entire family.

For his remaining 60 years on Earth, his life would be tied inextricably to Howard Unruh's.

The cruelest part of Cohen's life was that Unruh hadn't died in his rampage. While most mass shooters commit suicide or are gunned down, Unruh had lived.

Not only that, he'd never been charged. As time passed, Charles Cohen's whole world began to revolve around seeing the back of the man who had murdered his parents.

In 1999, he told The Philadelphia Inquirer that he was forever waiting for the phone call that would tell him his tormentor had died.

"Ill make my final statement and Ill spit on his grave and go on with my life, he said.

Fate, sadly, had other plans. In a final, sickening twist of fate, Charles didnt live long enough to see Unruh buried. He died of a stroke aged 72 in September 2009. Perversely, Howard Unruh passed away only one month later.

It was almost as if the killer was having one last sadistic laugh at his survivor's expense. In all his long life, Charles Cohen was never free of Unruh's shadow.

1. A Dark Legacy

Since 1949, the US has grown sadly accustomed to mass shootings.

Almost two decades after Howard Unruh gunned down his neighbors in Cramer Hill, Charles Whitman would climb a tower at Texas University and shoot 16 strangers dead with a sniper rifle. By that point, Unruh's story had faded into history.

After Whitmans mass shooting, those who wanted to kill strangers were more likely to be influenced by the former sniper than the unhinged mommy's boy.

But Unruh remains important because he was the first and also because his actions had no reason behind them. At his autopsy, Whitman was revealed to have a brain tumor that badly affected his ability to feel and perceive emotion.

Unruh, by contrast, was angry about a fence. Today, we can probably all name enough celebrity mass shooters to at least fill the fingers of one hand. Every month seems to bring reports of new atrocities being committed and innocent people dying.

Even without Unruh, this would probably be the case. Yet this sad and lonely man still left behind a poisonous legacy.

He was the first person to deal with alienation like a true modern psychopath. In doing so, he pointed the way for all the psychopaths who came after him.

Unruh may have only personally fired enough bullets to kill 13 people, but his gunshots echoed throughout modern US history.

For more infomation >> 10 Dark Facts About America's First Modern Mass Shooting - Duration: 14:04.

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UQx BUSLEAD1x BUSL1_019 The Dark Side of Leadership - Duration: 5:54.

Jay Conger popularised the idea that there is a dark side to leadership.

That is, that the very behaviours that distinguish managers from leaders and that influence groups

toward common goals for the common good, may not actually produce this result.

Conger suggested that 'when a leader's behaviours become exaggerated, lose touch

with reality, or become the vehicle for purely personal gain, they may harm themselves, their

followers and the organisation.'

This is particularly problematic, as the leader is usually the source of the vision that is

driving the organisation.

So, there is a constant tension in the ego of the leader between providing a selfless

vision and one that incorporates some personal worldviews or aspirations that may not be

aligned to either their followers or that of the organisation as whole.

The very drive that characterises effective leaders can result in an inability to see

problems and opportunities in the environment.

This can result in the leader backing the vision beyond its potential, overcommitting

the organisation and their followers to costs of time and money, and to exaggerate the outcomes

of the vision to justify the cost.

Such drive can also result in changes to their behaviour for the sake of pursuing the vision.

Conger reported that the leader may begin to engage in exaggerated self-descriptions,

departing from authentic depictions of themselves in favour of developing, promoting and reinforcing

caricatures of themselves, to manipulate audiences and control the flow and/or understanding

of negative information.

At an individual level, they may begin to alienate peers, subordinates and superiors

alike through ever greater recourse to compliance methods of influence.

They may fail to promote people with ideas that differ from their own, fail to manage

the details of their project for fear of discovering the truth, or worse still, attack and remove

those who question the vision or any aspect of the project or the leader.

With the growing attention of the media and academia on the corporate failures and excesses

of the 1990's and early 2000's, writers such as Kellerman suggested that bad leadership

was more than simply the absence of leadership.

Rather, leaders and therefore leadership was not the exclusive province of saints but included

the incompetent, the rigid, the intemperate, the callous, corrupt, insular and sociopathic.

Leaders can, and often do, lead in such a way as to consistently produce poor outcomes,

as much as they could lead to produce positive ones.

The very power that enables leaders to produce positive outcomes for followers and organizations

can be abused and misused for personal outcomes rather than the benefit of others.

Einarsen, Aasland and Skogstad termed this kind of leadership as 'destructive leadership'

and defined it as:

'The systematic and repeated behavior by a leader, supervisor or manager that violates

the legitimate interests of the organisation by undermining and/or sabotaging the organization's

goals, tasks, resources and effectiveness and/or the motivation, well-being or job satisfaction

of subordinates.'

In this definition, the effect or outcome of leadership behaviors is paramount, and

therefore it does not simply include direct and overt actions by the leader, but considers

neglect and other behaviors.

This highlights, as Kellerman noted, that destructive leaders do not necessarily set

out to harm others, but nonetheless they can, through thoughtlessness, ignorance and incompetence.

This definition also grapples with a key part of the definition of leadership, as requiring

its exercise for the 'common good'.

In this instance it refers to leadership being exercised for the legitimate interest of the

organisation, though one could just as easily note that it should be exercised for the benefit

of society.

This requires effective leaders to constantly monitor and ensure that they influence with

an aim towards serving a greater good, in so far as the legitimate interests of individuals,

organisations and societies are served by doing so.

Not doing so, may violate the law, moral codes or ethical norms of the organizations they

lead and the societies in which they operate.

Recent research on the dark side of leadership has focused on understanding the effects of

destructive leadership on employee creativity, well-being and performance generally.

Through sustained displays of coercive behavior, destructive leadership has been found to cause

greater intentions of employees to quit, reduce organizational citizenship behaviours of followers,

and reduce follower creativity.

It has also been related to reduced psychological and physical well-being of employees, as well

as producing trickle down effects.

Firstly, those subjected to abusive supervision are more likely to take out their frustration

and anger upon friends and family.

Secondly, supervisors or managers subjected to abusive supervision by their superiors

are more likely to engage in this kind of supervision with their followers, leading

to the spread of dark side leadership behaviors across the organisation, depending upon the

level of abusive supervision within the organisational hierarchy.

Recent leadership theories, such as Authentic Leadership, suggest that self awareness, reflection

and regulation, openness to feedback, continuous learning, and alignment with moral and ethical

codes shared by the organisation and society generally, are defenses against falling into

the trap of dark side leadership.

For more infomation >> UQx BUSLEAD1x BUSL1_019 The Dark Side of Leadership - Duration: 5:54.

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How to Remove Dark Spots, Black Spots in 15 Days | Get Spotless Skin Clear Skin - Duration: 4:26.

Hello friends..Welcome to my channel Anika Beauty Secrets

I have come with a brand new beauty video today

Today we will discuss how you can get rid of dark spots, blemishes, pimple spots from your face

Your face will start glowing and become spotless

But before that, Please subscribe to my channel

Also don't forget to hit the bell icon to get regular updates

Because of many reasons, we get dark spots on our face which can affect your beautiful face

Sun exposure, hormonal imbalance, aging are some of the reasons to get blemishes and spots on skin

For this, we use a lot of cosmetics and medicines

These medicines sometimes give good results and most of the times we have to face their side effects

This can put a bad effect on our skin and face

So today we will see some remedies to get rid of all the spots and marks, off your face in just 15 days

Mix both very well

You must try this remedy for 15 days

This remedy will surely solve your dark spots problem

Potato

Potato is very efffective to remove dark spots and blemishes

Potato paste

Honey

Wash your face with water after 20-25 minutes

You will get to see good results on your skin in just 15 days

All the dark spots and pimples will be gone off your face

So friends, did you like this two tips

I will see you in my next video with some more effective home remedies

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