Chủ Nhật, 1 tháng 10, 2017

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Hi . This is Marty from Blue Lightning TV.

I'm going to show you how to create a classic retro, disco ball from the heyday of Disco Fever!

I provided 2 files that you can download.

Their links are located in my video's description or project files below.

One is a photo of this discotheque that we'll use to create our disco ball

and the other is a photo of the same discotheque, but cropped to 1920 by 1080 pixels.

Its resolution is 150 pixels per inch.

Open the smaller image.

We'll convert it into a Smart Object, so we can modify it non-destructively.

To do this, click the icon at the upper, right of the Layers panel and click "Convert to Smart Object".

Go to Filter and Filter Gallery.

Open the Texture folder and click "Patchwork".

Make the Square Size: 2 and the Relief: 0.

We're choosing Patchwork instead of Mosaic because the Patchwork filter adds delineating

lines whereas the Mosaic filter doesn't.

Go to Filter, Distort and "Spherize".

Make the Amount: 100%.

Then, click OK or press Enter or Return.

Repeat the filter once more by pressing Ctrl or Cmd + F. Then, press Enter or Return.

Open your "Elliptical Marquee Tool" and go to a corner.

Press and hold Shift as you drag a circular selection to the opposite corner.

Click the Layer mask icon to make a layer mask of the selection next to the disco ball.

Convert your disco ball with all its filters into a Smart Object.

To place the ball onto the background, press "v" to open your Move Tool

and drag it onto the tab of the disco background.

Without releasing your mouse or pen, press and hold Shift as you drag it down and release.

Pressing Shift kept the ball centered over the background.

Slide the ball up by pressing the Up arrow on your keyboard until it's position is approximately this high.

Name the disco ball layer whatever you'd like.

Make the background active and convert it into a Smart Object.

We'll give the background the appearance of some motion by going to to Filter, Blur and Radial Blur.

Make the Amount: 7, the Blur Method: Zoom and the Quality: Best.

Drag the center point straight up

to a position approximating the center of your disco ball on the document.

Doing this makes the background look as if its source of motion is emanating from the

center of the disco ball.

Make the ball active and double-click an empty area of the layer to open its Layer Style window.

Click "Outer Glow".

If the box isn't white, click it and pick white.

The Blend Mode is Linear Dodge and the Opacity is 15%.

The Technique is Softer, the Spread is 0 and the Size is 250 pixels.

The Range is 50%.

Make a copy of it by pressing Ctrl or Cmd + J

and double-click "Outer Glow" to see it in the Layer Style window.

Change its Blend Mode to Color Dodge and make its opacity: 75%.

Click "Inner Glow".

The color is white, the Blend Mode is Color Dodge and the Opacity is 40%.

The Source is Edge, the Choke is 0% and the Size is 30 pixels.

The Range is 1%.

We want to make a new layer below the active layer.

To do this, Ctrl-click or Cmd-click the New Layer icon.

Name it "Radial Lights".

Open your "Custom Shape Tool" and choose "Pixels".

If you're working on an earlier version of Photoshop, the Pixel icon is here.

Open your custom shapes thumbnails

and click the small gear icon to open your list of custom shape presets.

Click "Symbols".

When you see this message, click OK to replace your current thumbnails with the Symbols thumbnails.

Since I already had the Symbols preset open, my thumbnails remained the same.

Click this thumbnail, which is called "Registration Target 2".

Click the gear icon at the top and tick, "Defined Proportions and check "From Center".

We want to give ourselves more room on our canvas, so zoom out of your document by pressing

Ctrl or Cmd and the minus key on your keyboard 2 or 3 times.

Go to the center of the disco ball and drag out the shape until it covers your entire document.

Then, release.

To fit it back onto your canvas, press Ctrl or Cmd + 0.

Convert it into Smart object and change its blend mode to "Overlay".

Go to Filter, Blur and Radial Blur.

Make the Amount 15, the Blur Method: Spin and the Quality: Best.

Make a copy of the layer and drag it to the top of the Layers panel.

Double-click the Radial Blur of the copy to open the panel.

Change the Amount to 5

and reduce its opacity to 75%.

Make a copy of the layer

and click the Layer Mask icon to make a layer mask next to it.

Ctrl-click or Cmd-click the disco ball to make a selection of its shape.

Go to Select and Transform Selection.

Go to a corner and when you see a diagonal, double-arrow, press and hold Alt or Option

+ Shift as you drag it out approximately this much.

Then, press Enter or Return.

Go to Select, Modify and Feather.

Feather it 200 pixels.

Fill the selection with black inside the layer mask by pressing Alt or Option + Delete.

This hides the radial lights of this layer inside the selection.

Deselect it by pressing Ctrl or Cmd + D. Next, we'll add lens flares.

Make a new layer and fill it with black.

Change its blend mode to "Screen" and name it "Lens Flare".

Make a copy of it and temporarily hide the copy.

Make the original layer active.

Go to Filter, Render and Lens Flare.

Make the Brightness: 75% and the Lens Type: Movie Prime.

Drag the lens flare to a general location that approximates the location of where you'd

like it placed on your document.

Feel free to reposition it if you like.

Make the Lens flare copy visible and active.

Go back to Filter, Render and Lens Flare.

Move the lens flare to a different location

and again, reposition it if you like.

If you'd like to make another lens flare, copy it, fill it with black

and go back to Filter, Render and Lens Flare.

I'd like to make the radial blur that's emanating from the disco ball a little less intense,

so I'll make the top radial blur layer active and reduce its opacity.

This is Marty from Blue Lightning TV.

Thanks for watching!

For more infomation >> Photoshop Tutorial: How to Create a Classic, Retro, Disco Ball - Duration: 10:42.

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@omgfaizaniqbal91 sports classic collocation !!! - Duration: 4:26.

200000 years later :)

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Schoolies singing the Wheels On The Bus a classic nursery rhyme for toddlers & baby by Kids Channel - Duration: 37:03.

All the boy in the bus

The wheels on the bus go round and round

Round and round, round and round

The wheels on the bus go round and round

All through the town.

The wiper on the bus goes..Swish..swish

Swish,swish,swish,swish

The wiper on the bus goes..Swish..swish.

All through the town.

The people goes the bus go chat chat

chat chat chat chat ....

The people goes the bus go chat chat..

All through the town.

The horn on the bus goes beep beep

beep beep beep...

The horn on the bus goes beep beep

All through the town.

The babies on the bus goes uwah uwah uwah!.

The babies on the bus say uwah uwah!

All through the town.

The mummy on the bus goes shh.. shh..shh

The mummy on bus goes shh..shh

All through the town.

The wheels on the bus goes.. Round and round..Round and round.

Round and round,

The wheels on the bus goes.. Round and round..

All through the town.

For more infomation >> Schoolies singing the Wheels On The Bus a classic nursery rhyme for toddlers & baby by Kids Channel - Duration: 37:03.

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Wildcards in high demand among Kiwis for ASB Classic - Duration: 4:32.

Wildcards in high demand among Kiwis for ASB Classic

Wildcards in high demand among Kiwis for ASB Classic      .   It would be fitting for Michael Venus and Ryan Harrison to again be able to celebrate in Auckland their success at this years French Open.

The success of Michael Venus and New Zealands other two doubles players has caused a conundrum for this summers ASB Classic and New Zealand championships.

In recent years the winner of the mens singles and doubles events at the New Zealand Champs, which takes place in December, have been guaranteed main draw wildcards for the Classic.

It was a good way to reward the winners of the countrys biggest domestic competition and give the top players an added reason to enter it.

Tennis NZ has been able to secure live TV coverage for the semifinals and finals and the tournament has now has a presence on the New Zealand sporting landscape each December.

However, there have been issues.  This year Rubin Statham, the NZ No1, chose not to play and it was won by doubles specialist Artem Sitak.

Sitak put up a good effort in his 6-4 6-2 loss to Jeremy Chardy from France in the first round of the Classic.

But given that main draw wildcards to ATP tournaments are precious commodities and there only three of them for Auckland, theyre not something to be given out lightly.

All things considered, the best singles player in New Zealand is arguably Michael Venus, even though he only ever plays in this form of the game in the Davis Cup.

If Venus does make it to the ATP World Tour Finals in November with his American partner, Ryan Harrison, that would only give him an offseason of two weeks, so would it be fair to expect him to back up again so soon at the NZ Champs?.

There is also the issue of whether Harrison would make it into the main draw of the singles.

He is ranked 51 in the world, which could be close to the cut off and as the Classic is a week before the Australian Open he would choose to play in Sydney, where the field usually isnt as strong, rather than battle through qualifying in Auckland.

So it might need a wildcard to tempt him to New Zealand. Classic tournament director Karl Budge is keen on recognising Venus magnificent 2017 but has a lot of balls to juggle.

Mikes season has been absolutely phenomenal and I dont think its been given the kudos it deserves, Budge said. Id like to think that when the Halberg nominations come out, he is among the contenders.

So we absolutely want to celebrate that and what he and Ryan have achieved this year and give him the chance to do that in front of his home crowd.

Budge wants to encourage New Zealands top players to enter the NZ Champs and although he cant make any promises at that stage, he has assured those who do well in that tournament will be remembered for the Classic.

We will 100 per cent reward performance at the NZ Championships for the ASB Classic, he said. Also, we want the best of New Zealand tennis to be playing at the championships.

Were committed to that but I cant commit to anything else just yet.

As for the womens Classic, the winners of the singles and doubles tournaments at the NZ Champs have never been guaranteed main draw wildcards for the WTA event and its likely Marina Erakovic will again be looked after.

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